Jodhaa Akbar

An epic romance, set in 16th-century India, about the love story between Jalaluddin Mohammad Akbar, the Mughal Emperor of Hindustan, and Rajput princess Jodhaa. In order to extend his empire, Akbar agrees to a marriage of alliance to young and fiery Jodhaa but soon realizes he has to defend his choice of bride as his courtiers voice their displeasure at the idea of their Muslim Emperor marrying a Hindu.

The first time we watched this we found the first part really disorienting. I assume that if you are Indian you know a lot about the factions we were being introduced to and the basic history being told — which we had no clue about. Also, as Bollywood newbies, we had a really tough time keeping track of the many warriors and kings, especially since they all were in historical garb. However, the film did a good job bringing us up to speed, the romance was compelling, and by the time they got to proclaiming the emperor Akbar, we were on board all the way. 

A second viewing, almost two years and 150 Indian movies later, made us really able to appreciate it properly. We could even keep track of all those confusing warriors and kings! Also, with the basic story knowledge from our first viewing meant that we could properly appreciate the performances. 

When they say "epic romance" they aren't kidding. By the time that the emperor and Jodhaa declare their love and he puts his hands on her shoulders (yes, they move slowly in a traditional movie like this), you'd been brought to a state of high tension over that ultimate forehead kiss and neck nuzzle. It doesn't hurt that they are the hottest emperor and empress ever. 

This is something on a scale that Cecil B. DeMille would have loved. Lavish is an understatement for the jewelry and costumes and settings. The battles are grand in every sense of the word. It is a feast for the eyes.

The first time around we thought that the movie must have been modernized because Akbar's religious views were so tolerant. We were impressed when we looked up his history and saw that he was indeed a most unusual ruler for his time. Interestingly, on vacation in Charleston talking over movies with some Indian tourists, we brought up Jodhaa Akbar, asking if the great Akbar was as portrayed. He obviously is a national hero because they instantly began praising him with great animation and enthusiasm. It was really impressive and makes the movie even more fun to watch.

NOTE: medium to difficult Bollywood viewing. Just let it flow over you without worrying too much about the politics and you'll enjoy it.

Scott and Julie discuss Jodhaa Akbar at A Good Story is Hard to Find podcast.

Hannah and Rose discuss Jodhaa Akbar at An American's Guide to Bollywood.

The Icebergs

The Icebergs, Frederic Edwin Church
Dallas Museum of Art

Nothing can replace sitting in front of this painting and taking it all in. The tints and coloring are impossible to adequately convey on a screen.

I love the story that this was bought by a private collector and kept out of public view for over a hundred years. When it came back into public sight for auction, it raised the most ever given for an American painting. The anonymous buyers donated it to the Dallas Museum of Art. After Lamar Hunt's death, he and his wife were revealed as the generous donors.

The study of history is a powerful antidote to contemporary arrogance.

The study of history is a powerful antidote to contemporary arrogance. It is humbling to discover how many of our glib assumptions, which seem to us novel and plausible, have been tested before, not once but many times and in innumerable guises; and discovered to be, at great human cost, wholly false.

Paul Johnson, The Recovery of Freedom (1980)

Making pain meaningful

Obedience makes our actions and sufferings meritorious in such a way that, no matter how pointless they may seem, they in fact can be extremely fruitful. One of the wonderful things Our Lord has done is to have made the most useless things, like pain, meaningful; by his obedience and his love He has made it glorious.

R. Garrigou-Lagrange, The Three Ages of the Interior Life

Time and Tide

Time and Tide, 1873, Dallas Museum of Art
Alfred Thompson Bricher

I just love this painting. I could stand in front of it all day.

A Movie You Might Have Missed #21 — Shaun of the Dead

It's been 10 years since I began this series highlighting movies I wished more people knew about. I'm rerunning it from the beginning because I still think these are movies you might have missed.

Shaun and his best friend are a couple of slackers. A good evening is one that ends at the pub and every evening ends at the pub. Shaun's girlfriend is less than pleased with this lack of initiative, especially after celebrating their third anniversary ... at the pub. She breaks up with Shaun who is so distraught that he doesn't notice all there is a zombie epidemic all around them. This leads to some hilarious scenes, such as when Shaun and his friend first encounter zombies and think they are drunks. Shaun takes the lead in rescuing his mum and ex-girlfriend to take them to the safest place he can think of ... the pub. This truly is a romantic comedy with the original twist being the zombies.

I was anxious to see this from the first moment I heard the premise, yet put it off for fear of the "R" rating (for zombie violence ... yes, that's actually what it says). There is plenty of warning for any such scenes and much of it is so fake that it doesn't matter. The directors are really good at combining our awareness that this is a zombie movie with Shaun's general cluelessness to provide many very funny jump scenes as well.

Why Coming Back to Mass Matters

What probably surprises most contemporary readers of the book of Exodus is that, immediately following the laying out of the moral commandments, the author spends practically the rest of the text, chapters 25 through 40, delineating the liturgical prescriptions that the people are to follow. ...

No indication whatsoever is given that the moral prescriptions are somehow more important than the liturgical prescriptions. If anything, the contrary seems to be the case, since Exodus is followed immediately by the book of Leviticus, which consists of twenty-eight chapters of dietary and liturgical law. ... God doesn’t need the ark and the tabernacle and priestly vestments and regular worship, but we do. Through the gestures and symbols of its liturgical praise, Israel is brought on line with God, ordered to him. The moral law directs our wills to the divine goodness, but the liturgical law directs our minds, our hearts, our emotions, and yes even our bodies to the divine splendor.

This is a great piece from Bishop Barron which uses Exodus to remind us that following moral law matters but just as important is learning holiness through the liturgy. Thanks to Patsy for bringing it to my attention. I loved it.

Gospel of Matthew — Transfiguration: The Cloud

Matthew 17:1-8

This is one of the biggies in the gospels and so much has been said about it. I always found that cloud mysterious until I was reminded that the shechinah, the glory of God shows up prominently in Exodus. In a pillar leading the people, covering the mountaintop when Moses visits, etc.

And here is the cloud of God's presence again. Of course.

Transfiguration, Alexander Andreyevich Ivanov

Peter, James, and John did not see any ordinary cloud atop the mountain of transfiguration. They saw the cloud of God's Presence. In the Old Testament God's presence was made manifest to Israel in the form of a thick and luminous cloud. God guided the Israelites through the desert in a pillar of cloud (Exod 13:21-22). At Sinai the cloud of God's glory overshadowed the mountain when Moses received the Ten Commandments (Exod 24:15-18). Later the cloud filled the tabernacle (Exod 40:34). It also filled the temple in Jerusalem at its dedication by Solomon (1 Kings 8:11). However, in the sixth century BC, the prophet Ezekiel received a vision of God's glory cloud leaving the temple and Jerusalem because of the people's sinfulness (Ezek 10). Since that time, god's presence had not been visibly manifest to Israel But the prophets envisioned the return of this cloud to God's people in the eschatalogical age (2 Macc 2:8, Isa 4:5, Eze 43:1-5). Peter, James, and John witnessed the fulfillment of these prophetic hopes when the "bright cloud cast a shadow over them" on the mountain of transfiguration.

Quote is from Catholic Commentary on Sacred Scripture: Gospel of Matthew by Curtis Mitch and Edward Sri. This series first ran in 2008. I'm refreshing it as I go.

Workers, Flowers and the Virgin of San Juan

The Workers, Alfredo Ramos Martinez
Dallas Museum of Art

Continuing last week's Dallas Museum of Art post, we then wandered into an exhibit of Alfredo Ramos Martinez. His style isn't one I'd normally be drawn to, but after just having been immersed in Latin American art, we were primed to take a closer look. I particularly was intrigued by his paintings done on newspaper. All those stripes? Yes. Creative use of newsprint lines in the newspaper. It was really fascinating. Tom especially liked the use of black outline to give a three dimensional aspect to the elements.

Not all his work was like that, of course. I was struck by his floral paintings. These were on loan so we were lucky to see them.

Blue Jar with Flowers, Santa Barbara Museum of Art

La Virgen de San Juan, Santa Barbara Museum

And the Latin American theme continued when we went to lunch afterwards at the San Martin Cafe and Bakery on McKinney Street. It is a Guatemalan restaurant and very trendy, as it turns out. The service and food were excellent. Rose discovered it and she and Mom love going there.

They also had art displayed high up on several walls and the textile art was another link in the chain to the art we'd seen at the DMA. Some it put us in mind of a collection of huipils for putting on statues of the Virgin Mary.

Huipil for a figure of the Virgin of the Rosary, Maya -- Kaqchikel, c. 1905–1925
Dallas Museum of Art

I'll be featuring other paintings soon. No themes, just the stuff that I like a lot.

A drowning man prayed for help. God sent a floating tiki bar filled with priests.

Despite the rough waters, he still thought he could make it back to shore, and so he waved on several boats that had stopped to offer help.


But when his kayak tipped and his hastily-donned lifejacket came up to his ears, Macdonald knew he was in real trouble.

“I thought I was going to die. I was absolutely powerless and wished I had asked for help earlier. I was waving my hand and asked God to please help me,” he said.

God answered his prayers - but not in the form of Jesus walking on water.

“And then, out of the corner of my eye, I saw the tiki boat.”

A tiki boat full of priests.

From Catholic News Agency comes the real life story that reads like God took the old joke about the man trying to escape the flood and gave it a modern twist.

With an inspiring and ironic twist at the end. Just the way God likes to play it. Go read the whole thing.

Lime Crinkle Cookies

These are from Taste of the South magazine which we've found to be a great source for simple, tasty recipes. Rose says these remind her of Fruit Loops. They are just plain good. Get them at Meanwhile, Back in the Kitchen.

Find yourself a cup of tea ...

Find yourself a cup of tea; the teapot is behind you. Now tell me about hundreds of things.

Saki

Hummingbirds, Armadillos, and Fish - Oh My!

Hummingbird pendant, Olmec, 800–400 BC
Dallas Museum of Art

To our delight, we discovered that the Dallas Museum of Art is open again and immediately reserved tickets for the next available time — which was last Sunday.

There's never been a better time to see the art, what with limited numbers admitted for social distancing.

We headed up the stairs near the entrance and found ourselves in a spot we'd never come across — Arts of the Americas. This wound up being ancient art from South America, Central America, and Mexico. There were even a few things from North America, but not many.

We found it surprisingly absorbing, especially when I came across several hummingbird depictions that were thousands of years old. I look at the fierce little hummer who is keeping all the others away from our nectar and love the idea that he's the latest in a migration that has been going on so long.

And there was another familiar figure.

Armadillo ornament, Veraguas, 800–1200 AD
Dallas Museum of Art

And, of course, ear ornaments so large that I'd rather wear one as a necklace.

Ear ornament, Zenú (Sinú), 600–1200 AD
Dallas Museum of Art

There also were large, elaborate panels from buildings and a lot of things that only really impress if you see them in person. We realized that a lot of the oldest pieces were contemporaneous with ancient Egypt and that helped put the art in perspective too.

This bit of the visit began our theme day, though we didn't realize it at the time. More on that later ...

Tenet

A secret agent embarks on a dangerous, time-bending mission to prevent the start of World War III.

It seems clear that Christopher Nolan's got James Bond and Mission Impossible on the mind. His latest action thriller clearly pulls from those franchises as we follow his protagonist forwards and backwards in time and around the world on his dangerous mission.

I was excited about going to this movie because (a) Christopher Nolan, (b) back to a more normal life, (c) support the theater/movie industry. Unfortunately it wound up being another 2020 disappointment.

It pains me to admit this is not a great film. The performances are top notch. The action sequences are good, especially ones with the airplane and highway heist. However, this was offset by a very difficult sci-fi concept that wasn't explained well enough and was really hard to understand visually even once I did have a fairly firm grasp of the idea. (I felt like telling Nolan to rewatch Inception for "how to do it").

Also, the plot itself was confusing and with very little cohesive story itself, other than finding the MacGuffin. Alfred Hitchcock made many wonderful movies with nothing more than that pushing the plot but he always gave us something to care about in the character's life or situation. James Bond and Mission Impossible movies give us fairly little personal motivation but they are always very clear in explaining the villain's evil plan and what the heck is going on.

Nolan gives us nothing more than "the cleverness of me." It felt as if he was so enchanted by his sci-fi concept that it was all he could focus on. And guess what — that wasn't enough for me. Or my viewing companions.

Most egregious was that the sound mixing made a lot of the dialogue incomprehensible. When you've got a really hard concept to get across it is always so much easier if the audience can the dialogue at all. Or even if all you want to do is to help them understand why you are flinging yourself around the world for dangerous missions.

There is a wonderful exchange in Christopher Nolan’s latest film, Tenet, between Robert Pattinson and John David Washington. “Hngmmhmmh,” says Pattinson. “Mmghh nmmhhmmmm nghhh,” replies Washington. Marvellous.

This is how much of Tenet sounded to viewers in cinemas. The film’s dialogue has been criticised by reviewers and audience members for often being impossible to make out. Given how hard Nolan’s blockbuster would be to understand even if all the dialogue was crystal-clear, it is curious that the director has made it doubly difficult to hear the story of a screenplay he supposedly spent five years writing.

The Guardian

I'd think the one thing you don't want the people leaving your movie to talk about for five minutes is how none of them could understand the dialogue. But sound mixing was our topic all the way to the parking lot.

On the bright side, the movie theater was bending over backwards to welcome everyone back, although there were only a few other people at our Saturday matinee. Of course, it was showing in at least 10 other theaters in the same complex so maybe everyone was spread out.

Walking by the Lord's house

I often ask children to imagine walking by the house of the Holy Family in Nazareth. Children who love the Lord might remember that Jesus lives there, and make a gesture of reverence, or say a short prayer. But if we walked by the Lord’s house, and he was out on the porch, and we could look directly at him, we would stop, and talk to him, and know that he was hearing us, and talking to us. So it is with adoring Christ in the Eucharist, visible to us in the monstrance. We see him, and we know that he sees us. We speak to him, and we know that he hears us. When we adore Christ in the Eucharist, exposed in the monstrance, the Lord engages all of our senses, through the ministry of the Church, to awaken us to the power of encountering him—love made visible.

Pope St. John Paul II wrote that through adoration of the Eucharist, “we can say not only that each of us receives Christ, but also that Christ receives each of us. He enters into friendship with us: ‘You are my friends.’”

In friendship, in the dialogue of Eucharistic adoration, God transforms us, so that, in love, we can make gifts of our ourselves to the world, just as Christ has made a gift of himself in the Eucharist.

Bishop James Conley, Holy Thursday Letter, 2017

via A Year with the Eucharist, Paul Jerome Keller

It isn't only children who need these sorts of prompts. I love the mental image of seeing Jesus on his porch and stopping for a chat.

But oh! the blessing it is to have a friend to whom one can speak fearlessly on any subject

Thus ended our little talk: yet it left a pleasant impression. True, the subject was strange enough; my sisters might have been shocked at it; and at my freedom in asking and giving opinions. But oh! the blessing it is to have a friend to whom one can speak fearlessly on any subject; with whom one's deepest as well as one's most foolish thoughts come out simply and safely. Oh, the comfort—the inexpressible comfort of feeling safe with a person—having neither to weigh thoughts nor measure words, but pouring them all right out, just as they are, chaff and grain together; certain that a faithful hand will take and sift them, keep what is worth keeping, and then with the breath of kindness blow the rest away.

Somebody must have done a good deal of the winnowing business this afternoon; for in the course of it I gave him as much nonsense as any reasonable man could stand ...

Dinah Maria (Mulock) Craik, A Life for a Life

Often misattributed to George Eliot. You may find out more about that and the book which this quote is from here.

We need the humanity of Christ.

We need the humanity of Christ. In the many wearinesses of life which come to all, it is not only permissible but often necessary to direct our devotion to the sacred human in the Eucharist. God gave us the sacred humanity of His Son because in his divine wisdom He understood man's need of a God-man. ... We who are so dependent on the sense in order to grasp something of the nonsensible, can understand Christ because He "was made flesh and dwelt among us." We feel that having walked in the flesh, Christ knows both from the experience of many and the omniscience of God all the miseries to which our mortal flesh is heir.

We need the human Christ ... in our sacramental devotion to Him. The humanity of Christ, perhaps more than we realize, serves as the lodestone that brings the suffering and weary and sinful to the Eucharistic God. ...

A Year with the Eucharist, Paul Jerome Keller

quoted - True Devotion to the Blessed Sacrament

A Movie You Might Have Missed #20 — The Dish

It's been 10 years since I began this series highlighting movies I wished more people knew about. I'm rerunning it from the beginning because I still think these are movies you might have missed.

This is a favorite of Tom's and the combination of gentle humor with realism is a winning combination.

In  1969, viewing the Apollo moon landing depends on a satellite dish in  Australia that is smack dab in the middle of a sheep pasture. Along with  everything else, the local technicians must deal with their natural  annoyance at having a NASA man foisted upon them to make sure everything goes ok while the locals feel understandable pride at being in the  center of an international spotlight.

Based on a true story, The Dish brims with understated wit that shows the differing cultural attitudes  between Australia and the U.S. while taking us back to the true wonder  of what it meant to watch a man walk upon the moon.

Pavonia

Pavonia (1859). Lord Frederic Leighton (English, 1830-1896).

Isn't she stunning? I could look at this all day.

Summer Corn Salad

a good, different summer salad that it isn't too late to make for Labor Day! Get it at Meanwhile, Back in the Kitchen.