And the Winner Is — 1936

 Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

None of the movies really grabbed us this year but all were good enough! We weren't able to get our hands on at least half of the nominated movies and had already seen Top Hat numerous times

WINNER

First mate Fletcher Christian leads a revolt against his sadistic commander, Captain Bligh, in this classic seafaring adventure, based on the real-life 1789 mutiny.

I can see why this won. It was a big movie with big stars based on the true story told in the trilogy written by Nordhoff and Hall. I read the story several times in college and afterwards and this seemed a good retelling of the first book with the essence of other two books nicely conveyed. It wasn't really my cup of tea but was a good start to our 1936 viewing.

 NOMINEES

When British valet Ruggles is won in a poker game by a couple from the American West he imagines a world full of Indian attacks and stagecoaches. What he finds is a country where he is valued for himself by all but a few snobs. 

It is light but sweet. I've never seen Charles Laughton in a role like this and he had a deft comedic style and a real sincerity at the end after he was allowed to drop the stiff valet mannerisms. I also loved Zasu Pitts whose name is famous but who I never have seen before. I can see why it lost to Mutiny on the Bounty which, funnily enough, also starred Charles Laughton albeit in a very different role. However, I can also see why this was nominated.

Dr. Peter Blood, unjustly convicted of treason and exiled from England, becomes a notorious pirate.

This was surprisingly faithful to the book, eliminating only one subplot in order to keep the story swashbuckling along in fine style. I never realized just how pretty Olivia de Haviland was in her young days. Certainly, it made me understand why director Michael Curtiz and composer Erich Korngold both almost won their Oscar categories by strength of write-ins (not nominations). My favorite of the movies we watched.

Charles Dickens’ timeless tale of an ordinary young man who lives an extraordinary life, filled with people who help and hinder him.

I don't love the novel and didn't love the movie but they did a good enough job of covering the book in a year where none of the movies really grabbed us.

Showman Jerry Travers  demonstrates his new dance steps late one night in a hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for a married man.

This is light, frothy fun as one would expect from Astaire and Rogers. I liked thinking about how much Depression era audiences would have enjoyed escaping into this movie. And it was still funny even today almost a hundred years later.

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All the Oscar viewing is here.

And the Winner Is — 1935

Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

For the 1935 Oscars we were able to see a lot of movies and were struck again by the variety of nominees, with a lot of light hearted films included.

WINNER

A rogue reporter trailing a runaway heiress for a big story joins her on a bus heading from Florida to New York and they end up stuck with each other when the bus leaves them behind at one of the stops along the way.

I love the fact that the stars' names were bigger than the movie name on the poster. Directed by Frank Capra during his most prolific period, this is a movie that is practically perfect in every way ... it's hard to believe this movie is 85 years old! It holds up so well! It was the first screwball comedy and has a lot to say about class distinctions, albeit in such an entertaining fashion that you don't realize it until later. 

I've seen this many times and it never disappoints. I suspect this will be my favorite Oscar winner for some years to come as we proceed.

I will add that Imitation of Life gave this a run for its money as a household favorite. Do try it.

 NOMINEES

A husband and wife detective team takes on the search for a missing inventor and almost get killed for their efforts.

We've seen this enough times that we didn't want to repeat it. Overall funny and enjoyable. Worthy of nomination but not as good as It Happened One Night.

Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.

It was a real pleasure to watch Astaire and Rogers shine in this gorgeous piece of comic fluff. Their chemistry is undeniable and they are supported by talented comedic actors who enjoy their own minor scenes now and then. The ordering of tea, the silhouettes fooling the corespondent who I loved so much, the whistling with the bellboy - these all add richness to the movie.

The queen of Egypt barges the Nile and flirts with Mark Antony and Julius Caesar.

Here's Claudette Colbert again! (I think she made 6 movies that year.) This was a much grander spectacle than I expected and it could hold up today on that basis alone. However, I also liked Colbert's performance which is what I was really curious about since I've only seen her in It Happened One Night. Very enjoyable as an addition to our Oscar nominees viewing.

A struggling widow and her daughter take in a black housekeeper and her fair-skinned daughter. The two women start a successful business but face familial, identity, and racial issues along the way.

We were all surprised at how much we liked this tale of two mothers — one black, one white — who become good friends as they struggle together against the world in raising their daughters and earning a living. It tackled surprising issues when you consider everyday life for black Americans in 1934.

I really love the 1935 winner - It Happened One Night - but we thought Imitation of Life was robbed by not winning. I was especially interested to see Claudette Colbert in her third movie nominated for a 1935 Oscar. She was red hot that year and her performance here was good.

However, it was Louise Beavers who really stood out. We'd seen her previously in She Done Him Wrong, the Mae West film that was nominated for the 1934 Oscars. In that film Beavers played a stereotypical, giggling, joking maid. Here she was allowed a role that was very unusual for any black actor of the time. Most definitely she was robbed by having no Oscar nomination for her performance, most probably because she was black as newspapers at the time pointed out.

I especially liked the portrayal of the friendship between the two women after reading that the book from which the story was adapted was inspired by a road trip to Canada the author took with her friend, the African-American short-story writer and folklorist Zora Neale Hurston.

This is one worth watching for a lot of reasons.

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All the Oscar viewing is here.

And the Winner Is — 1934

 Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

Also the Academy was still sorting out what years the movies had to be made in order to qualify. So there are some from 1932-33 in here.

WINNER

A cavalcade of English life from New Year’s Eve 1899 until 1933 is seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War, the death of Queen Victoria, the sinking of the Titanic, and the Great War.

Our least favorite of the Best Picture winners so far. (Oh wait, now we've seen The Life of Emile Zola from 1938. Turns out Cavalcade isn't as bad as we thought at the time.) It isn't terrible but it also isn't great. It just kept going and going. I did enjoy Diana Wynyard and Clive Brook's performances a lot.

 NOMINEES

A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.

How do you not get excited about a movie with this title? And it paid off. Paul Muni was really effective in the role and, amazingly, the over-the-top story was very close to the autobiography that inspired it.

The book and film were both influences in publicizing the horrors of what life was like on the chain gangs and getting them abolished. So it was both a gripping story and social change maker. We're glad we watched it.

This was our favorite of the three movies we could find for viewing, beating She Done Him Wrong and Cavalcade in our personal awards.

New York singer and nightclub owner Lady Lou has more men friends than you can imagine. One of them is a vicious criminal who’s escaped and is on the way to see “his” girl, not realising she hasn’t exactly been faithful in his absence. Help is at hand in the form of young Captain Cummings, a local temperance league leader.

This is part of our cultural history almost 100 years later as evidenced by the fact that "Come up and see me sometime" is still a known line. Also, of course Mae West's image lives on in the cliches that she herself exploited to great effect.

We liked it well enough as an iconic film and for the funny double entendres as the plot zipped along with a seemingly endless stream of men entering and leaving West's bedroom.

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All the Oscar viewing is here.

And the Winner Is — 1932/1933

Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since the early films can be hard to find. For 1932 we were excited to see so many nominees available. 

This was an unusual year because they hadn't regularized when the awards would take place. This meant that standards about which year something came out were still rather loose.

BEST PICTURE

Grand Hotel remains a classic masterpiece as the first all-star Hollywood epic with many high-powered stars of the early 1930s. The episodic film is set at Berlin's ritzy, opulent art-deco Grand Hotel, and tells of the criss-crossing of the lives of five major guests whose fates intertwined for a two-day period at the hotel. Its ensemble cast of stars were occupants of a between-wars German hotel, all struggling with either their finances, scandals, health, emotional loneliness, or social standing in multiple storylines.

Filmsite

This is the movie where Greta Garbo's famous "I want to be alone" line originated. An all-star cast acts their hearts out in this mother of all melodramas. We thoroughly enjoyed this very good movie which can hold its own against stories of today. I especially enjoyed it as a look at life, from waiting for a new baby to someone preparing to leave this mortal coil. And lots of things in-between!

I will add that we were all quite concerned about the fate of Adolphus the dachshund. Our rating - 5 stars out of five. Definitely watch this one.

NOMINEES

Searching for headlines at any cost, an unscrupulous newspaper owner forces his editor to print a serial based on a past murder, tormenting a woman involved.

If I hadn't already seen Ace in the Hole I'd have been blown away by this scathing indictment of yellow journalism. Once you got past the first set ups of the hard bitten reporters and managers, the story was riveting.

An amorous lieutenant is forced to marry a socially awkward princess, though he tries to keep his violin-playing girlfriend on the side. My heart was wrung by the story of the woman whose 20-year-old scandal was raked up to provide higher circulation. The daughter's final speech was tremendous, as was Edgar G. Robinson's final speech.

Grand Hotel deserved to win but this was our favorite of the other nominees. Our rating - 3-1/2 stars.

When Colette introduces her husband Andre to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi’s husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.

This is very French and also before Hollywood's self-imposed code that monitored sexuality and immorality onscreen. As you can tell from the fact that the husband is happily playing around with another woman in a popular screwball comedy from Ernst Lubitsch, who was on his way to becoming the king of clever, romantic comedies. Before there was Cary Grant, there was Maurice Chevalier but even he couldn't save this.

We were mystified at how this got nominated. There's precious little of Ernst Lubistch showing and it seemed tedious. Our rating 2 stars.

An amorous lieutenant is forced to marry a socially awkward princess, though he tries to keep his violin-playing girlfriend on the side.

We enjoyed this a lot more than One Hour with You, although both films starred Maurice Chevalier and were written/directed by Ernst Lubitsch. This was also our first movie starring Claudette Colbert who was a huge star in this era. It was early in her career but she lit up the screen.

Light, frothy fun and you can tell it was pre-Code which is also interesting.

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey when they are held hostage by a warlord during the Chinese civil war.

A visual treat beginning with Marlene Dietrich and her wonderful acting and costumes. This was a real period piece in more ways than one, set during the Chinese revolution and featuring several actors we know from watching other Oscar nominees. As the final film of our 1932 nominees review it was a great way to end those movies. Grand Hotel definitely was the correct winner but this was a notable contender.

Our rating 3-1/2 stars.

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All the Oscar viewing is here.

And the Winner Is — 1931

Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since the early films can be hard to find. We began in January 2023 with Cimarron from 1931, which won Best Picture for the 4th Academy Awards.

When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land moves his family there. Cravat soon becomes a leading citizen of the boom town of Osage.

Once the town is established, Yancey is restless again and goes to explore the wilderness while his wife Sabra must learn to take care of herself. She soon becomes prominent in her own right.

This 1931 movie swept the Oscars and they did a good job. It is dated in some ways, of course, being 92 years old. That being said, it also was surprisingly progressive for the time. There were some elements that would now be called racist but there were also distinctly pro-woman, native American, Jewish, and mixed marriage elements.

We enjoyed the dynamic between the husband and wife, with neither being perfect - he keeps abandoning the family to go off adventuring, while she falls prey to the conventions that keep parts of society down. Both influence the other for good.

Interestingly, Edna Ferber patterned Yancey on Sam Houston's youngest son who had all Yancey's best attributes without the wandering off element.

No other movies from these Oscars were available. We were glad this movie was so enjoyable. Our rating - 3-1/2 stars out of five.