A Movie You Might Have Missed #104: Harvey

"I’ve wrestled with reality for 35 years, doctor, and I’m happy to state
I finally won out over it.”

Elwood P. Dowd (James Stewart) is a good-natured gentleman and frequent drinker whose best friend Harvey is an invisible rabbit that stands a little over six feet tall. Everyone naturally assumes he’s crazy. His sister Veta, worried about the family’s social standing, attempts to have him locked away in a sanitarium.

Elwood P. Dowd is soft-spoken and disarming, and so is this movie, which keeps audiences guessing as to whether Harvey is a figment of Elwood’s eccentric mind or really does exist.

I watched this with my book club and realized just how much I had forgotten, including how laugh-out-loud funny it is. I also didn't realize just how pertinent one of the main messages would be in modern times: how little we listen to each other and what misunderstandings that can cause. I also loved how much Elwood paid attention to each person who came across his path. This is shown in several ways but never more than his response when someone accepts a dinner invitation. What makes Harvey great is the fact that it’s equally enjoyable as a piece of comedic fluff and as slyly intelligent social commentary.

Years ago I wouldn't have had to put this in a "movie you might have missed" category but no one in the book club had seen it except for the hostess who chose it and me. Everyone thoroughly enjoyed it and there was a lot of laughter through the entire movie. It's time to watch — or rewatch — this classic.

Sholay — A Curry Western

We rewatched this and fell in love all over again. I thought I'd remind adventurous film watchers to see a different kind of Western.

A retired policeman in a small village summons a pair of small-time thieves that he had once arrested. He feels that the duo — Veeru and Jai — would be ideal to help him capture Gabbar Singh, a bandit wanted by the authorities dead or alive for a big reward. The policeman will pay an additional award if they surrender Gabbar to him alive.

Veeru and Jai grow fond of the villagers. Veeru is attracted to Basanti, a feisty, talkative young woman. Jai is drawn to Radha, the policeman's reclusive, widowed daughter-in-law.

Eventually, several skirmishes leads to big show-down comes with the bandits and the chance for Veeru and Jai to show what they're really made of.

Based on Wikipedia description

I've known about spaghetti Westerns for a long time, of course, but had never heard of a curry Western until I watched the most famous one ever made — Sholay (Embers).

This was set in the time in which it was made, 1975, but it still feels authentically Western. Rural India was fairly undeveloped technologically so there's the juxtaposition of a modern policeman, motorcycles, and denim caps with horse-mounted bandits, steam locomotives, and the simple village life. That setting totally works. You can identify elements of the source materials but the plot is still distinctively Indian and goes its own way, as is so often the case in these adaptations.

As an interpretation of The Seven Samurai, The Magnificent Seven, and Once Upon a Time in the West, this was perfect in so many ways. Yet being a meandering 3-1/2 hour film simultaneously makes it imperfect, at least by Western standards. It surely would have benefited from a tighter screenplay, but then it wouldn't have been a 1975 Indian film. So it is what it is.

I am now on the Amitabh Bachchan train and understand why so many people liked his acting. I'd only seen him in Amar Akbar Anthony which is a screwball comedy with a crazy plot that I wasn't a fan of, although I could see why it was an iconic film. In this, however, there was none of the over-the-top acting which is the Bollywood standard. He was very natural and totally cool. I could watch Jai all day.

I am sure that some of the other elements I loved are equally iconic:

• the coin flips
• the opening with a bandit gang mounted on horses trying to rob a Western-style steam train
• Basanti's dance to save Veeru
• the Holi celebration of colors
• the vicious villain Gabbar
• the first song with Jai and Veeru celebrating their bromance on a motorcycle with sidecar while one plays a harmonica. Good times.

I can see why this film has had such staying power.

Rating — for advanced viewers. (You've got to be willing to let this one wash over you, enjoying the ride for what it is ... and that means you've got to have seen enough other Indian movies to not worry about some dead space or romantic side trips. After all, how else are you going to see a musical Western with a Hindi celebration of colors?)

And the Winner Is — 1943

  Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

Nominated films that we didn't watch either because we'd scouldn't find them were The Pied Piper and Wake Island.

WINNER

it shows how the life of an unassuming British housewife in rural England is affected by World War II.

Simply stunning in the way that it takes you into this family's life and then shows the effects of war on the British as WWII breaks out. Definitely deserved to win.

 NOMINEES

The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.

Wonderfully made but with a story I really hated.

A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.

I didn't care for having encapsulated versions of Cohan shows dropped in everywhere but that is how this form of musical genre works. The Ziegfeld Follies did it best. Alexander's Rag Time Band did it worst. This falls just between the two.

The story of the life and career of the baseball hall of famer, Lou Gehrig.

An affectionate, straight-forward telling of Lou Gerig's life. Not especially Oscar worthy except, perhaps, as a sentimental favorite because of the subject.

Five young adults in a small American town face the revelations of secrets that threaten to ruin their hopes and dreams.

I liked it much more than I thought I would, certainly more than The Magnificent Ambersons which had Orson Welles' wonderful style but a drag of a story. And Ronald Reagan did a great job.

A German U-boat is sunk in Canada’s Hudson Bay. Hoping to evade capture, a small band of German soldiers led by commanding officer Lieutenant Hirth attempts to cross the border into the United States, which has not yet entered the war and is officially neutral.

We were surprised at how much we liked this. It was much more propagandistic than winner Mrs. Miniver, but it was still really good. Thus proving, I suppose, that top notch talent can elevate and improve upon a basic message. In a sense it was somewhat like a mystery, watching which of the group of Nazis trying to get back to Germany would be picked off next and by whom.

Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.

A lot more interesting than the description made it sound. We really enjoyed it.

Wandered away from his asylum, an amnesiac World War I veteran falls in love with a music hall star but his amnesia makes it difficult to last.

An extremely frustrating amnesia plot. Good amnesia plots provide character growth by forcing the victim to begin anew. This one was just a huge soap opera full of inexplicably missed chances to help Smithy remember a crucial 3 years. It's a real waste of wonderful actors. So annoying.

=======

All the Oscar viewing is here.

Koyla (Coal)

A village girl agrees to a marriage to a king she has never met after he sends her a photograph of himself. But the man in the photograph is not the king but his most loyal slave, the handsome but mute Shankar.

Just a perfect viewing experience if you like 1990s Indian movies - and we do. That means this is for the experienced Indian movie viewer. We'd never have liked this seven years ago but now we relished every moment.

This is a villain heavy dramatic thriller with a good dose of Madhuri Dixit's classical dancing, Amrish Puri's over the top villain and, of course, Shah Rukh Khan's inimitable heroic style. You will believe that the hero can be mute (which really bemused us at the beginning of the film).

We really loved the "5 hands" scene which was very skillfully done for genuine laughs. I've never seen Johnny Lever with so few over the top moments, which was interesting. Anyway, it was a hit with us.

Best of 2025 — Movies

 Here are my top picks from our year of viewing around 130 movies.   We continued in our Oscar winner/nominees series and, as always, there is a generous dose of our Indian and Korean discoveries. All are listed in the order we encountered them.

As always, the movies may be old, but my viewing was brand new this year. In no particular order.

I began my "Best of" lists way back in 2008. To see them, check the label cloud in the sidebar under "Best of ..."

2025 BEST MOVIES

Raat Akeli Hai
(The Night is Lonely)

A truly classic style noir that reminded us irresistably of Chinatown. With a subplot of the mother trying to find the detective a bride which made it truly Indian. Featuring one of our favorite actors, Nawazuddin Siddiqui. A real gem.

Cinderella (1950)

The original animated classic, which was considerably enhanced by watching it with our 5-year-old grandson. I saw this so long ago that it might as well have been new to me.

Kai Po Che!
(I've Cut the Kite!)

I don't usually like coming of age stories but this was simply delightful as we saw 3 friends drawn to what they cared about most, finding ways to follow their dreams while making a living. And while remaining friends. Real historical events disrupted their lives but we also see how those are handled and the difference they make in the young men's decisions.

Thelma

When 93-year-old Thelma falls prey to a phone, she sets out to reclaim what was taken from her. This was a delight. Thelma being inspired by Tom Cruise to track down the scammers who tricked her into sending cash is just the first level.

(My review here.)

Noryang: Deadly Sea

The last in the trilogy about naval genius Admiral Yi. The director brilliantly manages to show huge sea battles in a way that conveys the incredible chaos while making the strategy crystal clear. That's important because Admiral Yi's genius only becomes clear as the battle proceeds. Not to be missed.

(My review here.)

Hi Nanna!

An ill child, her protective father, and a mysterious woman journey through love, parenthood, and destiny. Against all odds I loved this film, especially with the insane number of plot twists in the second half. Read the review to get the vibe.

(My review here.)

Chhaava

Indian historical movie about the Marathis battling to save their land from the Moguls. The link between the king and his wife along with what we know of his lifelong question about his mother add depth to the love of country and devotion to the gods. This was really well done and surprisingly moving at the end. (Not for beginners to Indian movies.)

Along with the Gods: The Two Worlds
Along with the Gods: The Last 49 Days

And I thought Dante's circles of hell were bad. In The Two Worlds, we follow a soul on trial as his three accompanying guardians defend him through the Buddhist circles of hell. This is a really entertaining fantasy. The imaginings of the hells were wonderful and probably would really resonate with those who know Buddhism basics.

The Last 49 Days is essentially the second half of the story and, as such, is a strong finish.

Frankenstein

Director Guillermo del Toro somehow managed to stay true to the book while whirling around with his own different details a lot of the time. Best of all, the point of the story was articulated enough to be sure that we really got it. Really good.

(My review here.)

The Host

Really solid monster movie although, as is often the case, it is more about the people than the monster. It holds up wonderfully for a 20 year old film, helped considerably thanks to our experience with Covid.

Good Ol' Freda

This was a gentle, sweet look at the Beatles' 10 year run through the eyes of their secretary, Freda.

Wake Up, Dead Man

The latest in the Knives Out mystery series by Rian Johnson. Best depiction of a modern priest since Calvary. Also a pretty good murder mystery with everyone's favorite detective, Benoit Blanc. Clearly Rian Johnson was interested in religion and, as from my vantage point as a Catholic believer, he gets it right.

And the Winner Is — 1942

 Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

Nominated films that we didn't watch either because we'd seen them recently or couldn't find them were Citizen Kane, Here Comes Mr. Jordan, Hold Back the Dawn, and One Foot in Heaven.

WINNER

A man in his fifties reminisces about his childhood growing up in a Welsh mining village at the turn of the 20th century.

Not my favorite sort of story but well enough told. I really can't believe that it beat The Little Foxes.

 NOMINEES

Edna opens a home for foundlings and orphans and begins to place children in good homes, despite the opposition of “conservative” citizens, who would condemn illegitimate children for being born out of wedlock.

Not as artful, but we liked this a lot better than the winner. Greer Garson is a wonderful actress and the story, though told in a straight forward manner, handled several social issues that were still hot button topics when the film was made. We also appreciated the way the story showed major events without drawing out the tragedies. Living in Dallas I'd heard of the Edna Gladney home and I was interested in the story. It did not disappoint.

A sheltered heiress falls for a charming playboy and elopes with him, but soon begins to suspect that her husband’s affection may conceal a deadly motive—and that she could be his next victim.

This was good up until the very end when it rushed a la "a shot rang out and everyone fell dead." That left it feeling really flat.

A private detective takes on a case that involves him with three eccentric criminals, a beautiful liar, and their quest for a priceless statuette.

Not really Oscar quality story-wise but it sure was fun to watch.

After a religious awakening, Alvin York is drafted and despite deep ibjections to fighting becomes one of the most celebrated American heroes of WWI.

Really excellent. As a movie itself I can see why it earned 11 Academy nominations and why Gary Cooper won for best actor. He was convincing in every stage of York's life, hell-raiser, suitor, converted, conscientious objector, soldier, and hero. I'm a fan.

=======

All the Oscar viewing is here.

Frankenstein (2025)

Oscar-winning director Guillermo del Toro adapts Mary Shelley's classic tale of Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.

I am really fond of the Frankenstein story so I worried about what Del Toro might change that would affect the ultimate message. I needn't have. It turns out that he loves the story as much as I do and somehow managed to stay true to the book while whirling around with his own different details a lot of the time. 

Best of all, the point of the story was articulated enough to be sure that we really got it. Really good.

100 Movies Every Catholic Should See has a really good review with it's eye on Catholicism (natch).

Maareesan

Dhaya, a thief, sets out on a journey with Velayudham, who has Alzheimer's disease, intending to loot him. However, the trip ends up changing their lives forever.

Even if I don't like a Fahdah Faasil movie, I always love watching his performance. I really liked this so it was a double win. Don't read about the plot. Just let it unfold.

49th Parallel

In the early days of World War II, a German U-boat is sunk in Canada’s Hudson Bay. Hoping to evade capture, a small band of German soldiers led by commanding officer Lieutenant Hirth attempts to cross the border into the United States, which has not yet entered the war and is officially neutral. Along the way, the German soldiers encounter Canadians who tell a truth that contradicts Nazi propaganda.

Viewed for our 1943 series of watching Oscar winner/nominees.

We were surprised at how much we liked this. It was much more propagandistic than winner Mrs. Miniver, but it was still really good. Thus proving, I suppose, that top notch talent can elevate and improve upon a basic message. In a sense it was somewhat like a mystery, watching which of the group of Nazis trying to get back to Germany would be picked off next and by whom.

I especially enjoyed Laurence Olivier as French Canadian trapper Johnnie, Leslie Howard as the overly civilized and somewhat effete Philip Armstrong Scott, and Raymond Massey as the basic Canuck army recruit Andy. In a very real sense, the land of Canada was a character in the movie and we enjoyed that also.

Hi Nanna

Six-year-old Mahi, a spirited child with cystic fibrosis, shares a deep yet complex bond with her father, Viraj, a dedicated single parent and successful fashion photographer. Her curiosity about her absent mother leads to a journey of discovery when she runs away with her loyal dog, Pluto. A chance encounter with a kind woman named Yashna sparks unexpected revelations

Against all odds I really loved this movie.

This isn't the kind of movie that I usually love but the acting, direction, and pacing were so strong that they made up for the plot holes and how much I hated the snowflake of a wife. Also the second half was amazing. One twist after another and we didn't see any of them coming except for Dr. Aarvind.

The movie itself is probably 3 stars because of the script but my enjoyment earns it 4 stars.

And the Winner Is — 1940

 Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

This year was exceptional and we had seen many of the nominees fairly recently so we didn't rewatch Ninotchka, Mr. Smith Goes to Washington, The Wizard of Oz, or Wuthering Heights, excellent though they all are.

WINNER

The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.

We watched this 1940 Oscar winner to kick off our next series of viewing all the Best Picture nominees. The right movie won. This remains a masterpiece. It's so true to the book, even while having to trim details to fit it all in. The performances and costuming made a feast for the mind and eyes.

 NOMINEES

A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.

It was perfectly fine but no match for most of the other nominees or winner in this stellar movie year

Judith Traherne is at the height of young society when Dr. Frederick Steele diagnoses a brain tumor. After surgery, she falls in love with Steele.

Can't hold a candle to most of the other nominees. It seems to exist only to try to make us cry.

A French playboy and an American former nightclub singer fall in love aboard a ship. They arrange to reunite six months later, if neither has changed their mind.

This is another film that seemingly exists only to make us cry If you've seen An Affair to Remember or Sleepless in Seattle, then you know the plot.

A bookish classics professor makes an inauspicious debut at the hallowed halls of Brookfield School for Boys but eventually finds his feet, ultimately becoming something of an institution at the school.

We were surprised at the subtlety of the storytelling. Not many movies extoll the virtues of the shy person who just needs a little encouragement. A complete surprise and we loved it. My review is here.

An intellectually disabled giant and his level headed guardian find work at a sadistic cowboy’s ranch in depression era America.

The final film we watched for the 1940 Oscar nominees. A very well done version of the famous John Stenbeck novella. Like every other Steinbeck story except East of Eden this one is traumatic and I hate it.

=======

All the Oscar viewing is here.

Chhaava

ONE WARRIOR, ONE AIM AND ONE EPIC SAGA

Shivaji’s death sparks the Maratha-Mughal conflict. His son Sambhaji leads resistance against Aurangzeb’s forces. Amid battles and intrigue, both sides face challenges in a struggle for power.

We love Indian historical movies. In general, there's nothing like watching gorgeously jeweled and clad men battling with wonderful choreography. In this case it is to save Maratha from the Moguls. 

Toward the end it took on the impact of mythic storytelling. The link between the king and his wife along with what we know of his lifelong question about his mother add depth to the love of country and devotion to the gods. 

I really enjoyed Vicky Kaushal's performance. I hadn't realized that we'd seen him in other films. And I hadn't realized he's married to Katrina Kaif. Lucky girl.

This was really well done and surprisingly moving at the end. I would watch it again. We're going to look for other films from this director.

And the Winner is — 1939

  Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

This year's movies had another delightfully mixed bag ranging from drama to screwball comedy. There are some treasures in the bunch but some real duds too.

Nominees not viewed: Four Daughters or Test Pilot. They looked good but we just couldn't track them down.

WINNER

Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the two families meet things turn screwball fast.

Frank Capra's third Oscar in five years. This was vivid and lively in a way that I didn't expect. I thought this would be about the young couple but it was really about the two family patriarchs and how Jimmy Stewart's father changes. My favorite performances were from the father and the night court judge. 

 NOMINEES

Robin Hood fights nobly for justice against the evil Sir Guy of Gisbourne while striving to win the hand of the beautiful Maid Marian.

Never a huge favorite of mine but it seemed just as good a candidate as the winner with an energetic telling of a classic adventure story. But blockbusters rarely win an Oscar.

A group of French soldiers during WWI are transferred to a high-security fortress and must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein.

This was really great and you can see how influential it was. Many times I recognized standard POW camp elements from movies done later on, such as the way they hide the dirt from the tunnel in the garden (Great Escape). This had deeper layers about class, nationalities, the cost of war, and the joy of peace. Really great. I'd pick this over the Oscar winner.

Ho hum. An Irving Berlin songbook accompanying a little bit of story. We couldn't believe this was nominated.

In 1850s Louisiana, the willfulness of a tempestuous Southern belle threatens to destroy all who care for her.

I couldn't take my eyes off Bette Davis whenever she was onscreen. And you can see Wyler's skill growing with every film. We originally watched this during our William Wyler series which was during Covid. This movie has the threat of plague everywhere and the comparisons made fascinating viewing.  

We all know this story. It is the play that eventually was turned into a musical, My Fair Lady. It was a very good movie. We hadn't realized how strongly the musical followed the screenplay, so much so that it echoed in our minds throughout the story. 

This had small things that distinguished it from the musical and recommended it. Higgins tells Pickering that Eliza has parrot-like skill in accents and that she's able to learn how to behave like a duchess with no problem. So even though he never compliments Eliza to her face, he respects her abilities. Mrs. Pearce, the housekeeper, goes to bat for Eliza to be treated more fairly. Freddy is definitely more of an idiot. Higgins is merely intrigued instead of being afraid that Eliza will be exposed at the ball. 

This was an earnest, wholesome biography of Father Flanagan's Boys Town where homeless boys were raised to be successful, well adjusted members of society. I can see why it was a feel-good selection, but it didn't age well, especially compared to the other Oscar contenders.

A young, idealistic, newly qualified Scottish doctor attempts to cure miner's lung but his attempts are thwarted. When a friend shows him how to make a lucrative practice from rich hypochondriacs, it will take a great shock to show him what the truth of being a doctor really is.

A medium pick of all those viewed, this was a melodrama about the meaning of life being greater than acquiring wealth. I did love Robert Donat and Rosalind Russell in the main roles.

=======

All the Oscar viewing is here.

Noryang: Deadly Sea

THE LONG-AWAITED FINAL CLASH.

Winter of 1598, the story of Yi Sun-shin's last naval battle during the Japanese invasions of Korea that happened in the Noryang Strait.

Yi. Nimitz. Nelson.

Who is the best admiral? It's impossible to say. They all have my complete admiration. But Admiral Yi also has my heart.

This is the final chapter in the movie trilogy about Korea's Admiral Yi. It began with The Admiral: Roaring Currents. The second movie, Hansan: Rising Dragon, was a prequel that was just as gripping as the first movie.

What a director. He manages to show huge sea battles in a way that conveys the incredible chaos while making the strategy crystal clear. That's important because Admiral Yi's genius only becomes clear as the battle proceeds.

It is a slow start for foreign eyes trying to sort out the Korean, Japanese, and Chinese situations during the first half hour. That flows over you with many characters you don't understand and then it begins to get sorted out.

(Be sure to watch the post credit scene.)

And the Winner Is — 1938

 Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

This year's movies had another delightfully mixed bag ranging from drama to screwball comedy. There are some treasures in the bunch but some real duds too.

Nominees not viewed: One Hundred Men and a Girl wasn't available, Dead End which we'd seen as part of our William Wyler viewing, A Star is Born which story we just don't like after having seen so many other versions.

WINNER

A fictionalized account of famous French writer Emile Zola and his involvement in the Dreyfus Affair.

What a dud. Boring, staid, and clearly an "important cause" movie. Almost every other nomination should have beat this. This has become code in our household for a boring movie — "It's no Life of Emile Zola." 

 NOMINEES

Unfounded suspicions lead a married couple to begin divorce proceedings, whereupon they start undermining each other’s attempts to find new romance.

The movie that got Cary Grant noticed. It was funny with a clever screenplay but the chemistry between Irene Dunne and Grant was the real bit that made it sparkle.

The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel.

In some ways it was like a light-hearted version of All About Eve. I liked the boarding house environment, seeing so many people who would go on to be stars, and the dialogue. I LOVED Andrea Leeds as Kay. It was well acted and entertaining.

British diplomat Robert Conway and a small group of civilians crash land in the Himalayas, and are rescued by the people of the mysterious, Eden-like valley of Shangri-la.

Who knew Shangri-La could be so boring? The beginning and end were great but the middle dragged it down to the bottom with The Life of Emile Zola.

The O’Leary brothers – honest Jack and roguish Dion – become powerful figures, and eventually rivals, in Chicago on the eve of its Great Fire.

Not bad, but not as good as the previous year's nominee San Francisco, which it was clearly patterned on. It's a real Cain and Abel story set in a fictional story of the O'Leary family (yes, Mrs. O'Leary and the cow that start the Chicago fire). 

China, during the rule of the Qing Dynasty. The arranged marriage between Wang Lung, a humble farmer, and O-Lan, a domestic slave, will endure the many hardships of life over the years; but the temptations of a fragile prosperity will endanger their love and the survival of their entire family.

This should have won. We left it for last because this sort of movie doesn't usually appeal to me - long dramatic sagas of families struggling to survive, especially since I'd read the book long ago and hadn't liked it much. How wrong we were. By the end we were loving it. (My full review is here.)

The arrogant, spoiled son of an indulgent absentee-father, falls overboard from a transatlantic steamship and is rescued by a fishing vessel on the Grand Banks. The ship is at sea for several months and can't return to port. His experiences as part of the crew and especially under Manuel's tutelege, turns him into a mature, considerate young man.

As with every other movie this year, this was head and shoulders above the actual winner.

I found it engaging in a way that few coming-of-age movies do for me.  I also really loved the view into the fishing community — the good-natured rivalries, the shipboard culture, the way the fishermen come back together with their families after months at sea. Definitely recommended.

=======

All the Oscar viewing is here.

A Movie You Might Have Missed #103 — One Life

Based on the true story of British humanitarian Nicholas Winton, the film alternates between following 79-year old Winton reminiscing on his past, and Winton at 29 who makes it his mission to help predominantly Jewish children in Czechoslovakia to flee in 1938–39, just before Hitler invades.

A really well done movie about an incident in WWII which should be known better. It really emphasized for me the cost of war to the innocent. As Nicky says, "That bloody Hitler."

Most of all, we realize the power of good to make a difference. And that's the point we should live by.

A Movie You Might Have Missed #102 — Blossoms in the Dust

It tells the story of Edna Gladney, who opened a home for foundlings and orphans find homes. She was able to place the children in good homes, despite the opposition of “conservative” citizens, who would condemn illegitimate children for being born out of wedlock. Eventually Edna led a fight in the Texas legislature to remove the stigma of illegitimacy from birth records in that state, while continuing to be an advocate for homeless children.

We watched this as part of our Oscar winner/nominees for 1942. I know this wasn't quite as artfully done as the winner, How Green Was My Valley, but we sure liked it better. Living in Dallas I'd heard of the Edna Gladney home in Fort Worth and I was interested in the story. It did not disappoint.

Greer Garson is a wonderful actress and the story, though told in a straight forward manner, handled several social issues that hadn't occurred to us. We also appreciated the way the story showed major events without drawing out the tragedies. It was inspirational in a way that I didn't expect.

I hadn't realized what a pioneer Gladney was in legislation to protect orphaned children. The film made it clear why this was very important. It was fascinating to realize that her accomplishments happened just a few years before this movie was made, making it a topic of real interest and also education to people at the time.

A Movie You Might Have Missed #101 — Thelma

When 93-year-old Thelma gets scammed by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her.

This was a delight. Thelma being inspired by Tom Cruise to track down the scammers who tricked her into sending cash is just the first level.

It is funny but never at the expense of the elderly, a la "having an old lady swear" which is the sort of unfunny joke that is so often perpetrated in the movies. As the movie goes forward there's a serious side that is interwoven but never heavy-handedly. 

This is the sort of indie, small movie that we get all too rarely these days and it is so welcome!

And the Winner Is — 1937

 Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

This was a delightfully mixed bag ranging from drama to screwball comedy. All of them were entertaining enough to make a good evening's viewing. 

WINNER

The story of a legendary musical producer whose unerring eye for the heart of a performance allows a variety of well-known entertainers to flourish. Unfortunately, he also had a perfectionist side which sent the bills sky high and an eye for beautiful women which caused problems for his marriage.

We were surprised at how good this was — light, funny dialogue and William Powell's charisma carry the day. I could also see how it would have appealed to a 1936 audience who were probably sorely in need of fantasy — the shows were extravagent visual fantasies that would have been a wonderful break from Depression life.

 NOMINEES

Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.

Frank Capra with essentially an early version of Mr. Smith Goes to Washington. It's okay but just watch Mr. Smith instead.

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.

This has over-the-top drama, lots and lots of songs, too much opera, and a spectacular earthquake and subsequent fire. It also has a moral battle between Spencer Tracy as the priest and Clark Gable as the bad boy. It was entertaining the whole way.

When a major newspaper accuses wealthy socialite Connie Allenbury of being a home-wrecker, and she files a multi-million-dollar libel lawsuit, the publication’s frazzled head editor, Warren Haggerty, must find a way to turn the tables on her. 

William Powell and Myrna Loy made 14 films together and this is a sterling example of their versatility, talent and charisma. The film itself was a good screwball comedy but not enough to make it better than the 1937 Best Picture rightly went to The Great Zeigfeld, which also starred ... Powell and Loy.

The exciting story of Dr. Manette, who escapes the horrors of the infamous Bastille prison in Paris. The action switches between London and Paris on the eve of the revolution where we witness ‘the best of times and the worst of times’ - love, hope, the uncaring French Aristocrats and the terror of a revolutionary citizen’s army intent on exacting revenge.

Here's the one that should have won the Oscar. Until we watched it we agreed with The Ziegfeld Follies as Best Picture. This blew our socks off. It was practically perfect in every way and made me a Ronald Colman fan for life. (My full review here.)

=======

All the Oscar viewing is here.