And the Winner Is — 1934

 Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

Also the Academy was still sorting out what years the movies had to be made in order to qualify. So there are some from 1932-33 in here.

WINNER

A cavalcade of English life from New Year’s Eve 1899 until 1933 is seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War, the death of Queen Victoria, the sinking of the Titanic, and the Great War.

Our least favorite of the Best Picture winners so far. (Oh wait, now we've seen The Life of Emile Zola from 1938. Turns out Cavalcade isn't as bad as we thought at the time.) It isn't terrible but it also isn't great. It just kept going and going. I did enjoy Diana Wynyard and Clive Brook's performances a lot.

 NOMINEES

A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.

How do you not get excited about a movie with this title? And it paid off. Paul Muni was really effective in the role and, amazingly, the over-the-top story was very close to the autobiography that inspired it.

The book and film were both influences in publicizing the horrors of what life was like on the chain gangs and getting them abolished. So it was both a gripping story and social change maker. We're glad we watched it.

This was our favorite of the three movies we could find for viewing, beating She Done Him Wrong and Cavalcade in our personal awards.

New York singer and nightclub owner Lady Lou has more men friends than you can imagine. One of them is a vicious criminal who’s escaped and is on the way to see “his” girl, not realising she hasn’t exactly been faithful in his absence. Help is at hand in the form of young Captain Cummings, a local temperance league leader.

This is part of our cultural history almost 100 years later as evidenced by the fact that "Come up and see me sometime" is still a known line. Also, of course Mae West's image lives on in the cliches that she herself exploited to great effect.

We liked it well enough as an iconic film and for the funny double entendres as the plot zipped along with a seemingly endless stream of men entering and leaving West's bedroom.

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All the Oscar viewing is here.