Bollywood* Beginner Movies 7-9 — Shakespeare, Thrillers, and Modern Life

Part 1 looked at romantic comedies. Part 2 branched out to action,  romance, and myth.

Now we're looking at movies that intersect more with what we'd think of as Western movies. However, these are all distinctively Indian.

SHAKESPEARE

7. Omkara

Othello, Indian-style. Fairly faithful and gorgeous adaptation with gangsters. (My review. Scott and I talk about it here. Hannah and Rose discuss it here.)

• Ram-Leela
  Romeo and Juliet, Bollywood-style. A less faithful but even more gorgeous adaptation but it examines the families in a very Indian way. (My review. Scott and I talk about it here. Hannah and Rose discuss it here.)
  

THRILLERS

8. Kahaani

A 7-month pregnant woman arrives in Kolkata from London to seek her missing husband with nothing to rely on except her memories and a photo. This thriller blew our minds. Hollywood would be proud to make this movie. (My review. Hannah and Rose discuss it here.)

• Fan
  They had me at Shah Rukh Khan playing his own stalker. This is a solid thriller and a real star vehicle for King Khan who proves he can really act. (My review here. Scott and I discuss it here. Hannah and Rose discuss it here.)
  

MODERN LIFE

9. Piku

Piku juggles her life as a successful architect and caring for her 70-year old hypochondriac father. When they take a road trip from Delhi to Calcutta, the owner of the local cab company has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. (My review here. Scott and I discuss it here. )

• The Lunchbox
  A mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects a young housewife to a stranger in the dusk of his life. They build a connection through notes in the lunchbox. (My review here.)
  

NEXT

Part 4 will feature comedy-horror, Mollywood, and true history

For my complete list of recommended films, go here. The list begins with what I've seen most recently.

* "Bollywood" as I'm using it is shorthand for Indian movies in general. The Indian movie industry has a lot of different centers that are based on regional languages and storytelling styles. There will be a few recommendations from others as we go, however, generally speaking, Bollywood (Bombay/Mumbai) offers the easiest entry points for Western viewers.

Omkara — Othello, Indian-style

Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.

This is a simply wonderful Indian film adaptation of Othello as a gangster story. Not only is the film pretty faithful to the story and to the Indian environment in Uttar Pradesh, but the acting, shots and production were arresting. If you've seen it, I'm thinking especially of a particular shot in the rain in front of the train and, of course, the film's last shot. I also loved the use of specific color associations with specific characters. (Hint - in India, the color for marriage is red.)

It is, as the film says, an adaptation, but often there were lines that seemed almost lifted directly from the original. This line, in particular, was key to this production.

Shakespeare/Desdemona's father: "Look to her, Moor, if thou hast eyes to see. She has deceived her father and may thee."

Omkara/Dolly's father: "The girl who can betray her own father, how can she be trusted by anyone else."

We were especially interested to see Saif Ali Khan's take on Iago since he first came to our attention as a lovable rogue in Tashan. Khan gave an impressive portrayal of a man consumed by envy and evil. He's truly versatile.

It's Bollywood so of course there are a couple of song and dance numbers but they are worked in realistically as Kesu's (Cassio's) girlfriend is an entertainer whose performances provide key moments for the story's action.

Vishal Bhardwa is a director I will be looking for more from. I'm especially eager to see his adaptations of Macbeth and Hamlet.

Rating — for advanced viewers. (You've got to be willing to let this one wash over you, enjoying the ride for what it is ... and that means you've got to have seen enough other Indian movies to not worry about some dead space or romantic side trips. Or gangster shootings ... )

Scott and I discuss Omkara on A Good Story is Hard to Find podcast. 

Hannah and Rose talk about it on episode 42 of An American's Guide to Bollywood podcast.

Ridiculously Entertaining: Tashan and Dhoom 3

I was going to stop talking about Bollywood movies unless I came across something that I thought would be good entryway films.

And then this weekend I came across two such movies. These are both by director/screenwriter Vijay Krishna Acharya. That is completely coincidental but it did wind up leaving me with my first Indian director to keep an eye out for. Both these movies were on the top 100 Bollywood movies list that Rose is working from for guidance in exploration. Dhoom 3 has the added advantage of starring Aamir Khan who is a favorite of ours.

At any rate, both these combine recognizable Western styles with Bollywood filmmaking. It makes for extremely entertaining viewing.

Jeetendra Kumar Makwana is employed full-time at a Call Center and works part-time teaching English. He is recruited by an attractive young woman, Pooja, to teach her Hinglish-speaking boss, Bhaiyaji, English. Jeetendra agrees to do so, falls in love with Pooja, and joins forces with her to steal a bag containing 25 Crore Rupees in cash. He will soon find out that Bhaiyaji is a hoodlum and extortionist known to the Police as Lakhan Singh. And that spells big trouble for everyone.

Tashan means style and this picture has it in spades. It is ridiculously fun Tarantino style action (without the gore because it is Bollywood not Hollywood) with big song and dance numbers (Bollywood not Hollywood). Indian reviews wavered on giving approval but American reviews all raved, as did we. This director obviously has a way with movies that appeals to American sensibilities.

My favorite character was the hit man sent to retrieve the two thieves. The "Jackie Chan of India" he played a character who turned into a lovable oaf (much like Jayne on Firefly) and won my heart. My favorite number was the Hollywood film one, which got so many tiny Hollywood things wrong (in a charmingly Indian way) but still worked most amusingly. It also gave me a new Khan to keep an eye out for — Saif Ali Khan — whose charming twinkle reminded us all strongly of Bradley Cooper.

This was a milestone for us in several ways because we got an in-joke about Indian movies, recognized posters for other movies on city streets, and recognized two of the stars from other movies we'd seen. Baby steps. But fun.

Rating — Introduction to Bollywood (come on in, the water's fine!)

Hannah and Rose talk about Tashan at An American's Guide to Bollywood.

To avenge his father’s death, a circus entertainer trained in magic and acrobatics turns thief to take down a corrupt bank in Chicago. Two cops from Mumbai are assigned to the case.

Another ridiculously entertaining film from Vijay Krishna Acharya, starring Aamir Khan who carries the film on his broad, capable shoulders. It is part of the Dhoom buddy-cop franchise only in a minor way, with Jai and Ali's part being a subplot rather than the main action. And that works. In case we we were wondering who the movie is about, three of the four musical numbers are Aamir's, while the fourth is the female lead's audition for the Great Indian Circus — danced for Aamir. Aamir is the film's ostensible villain but by the time the film ends, we were wondering why policeman Jai gives a spech about the evil bank. (I guess that told us who the real villain is.) Anyway Aamir Khan's character is what this movie is about and Our household approved all the way.

This movie was set in Chicago which made us even more interested to see it and, as with Tashan, there were some endearing misunderstandings of America. My favorites were a newsstand which clearly looked Indian and the fact that the flashbacks were costumed as if they were from the 1920s instead of the 1990s. We could only figure that the filmmakers wanted to be sure we got a sense of "long ago" and couldn't find enough obvious differences between the clothing of 2013 and that of 20 years before. Regardless, it was extremely entertaining and those little missteps only added to the charm for us.

Rating — Introduction to Bollywood (come on in, the water's fine!)