Bholaa

An ex-convict must undertake a perilous, violent journey in order to meet his daughter after years of imprisonment.

We saw this at the theater with our daughters and son-in-law. We all gave this top marks. First, let's talk about the fun stuff, which I will quote from my daughter Hannah's review.

I think everyone should see this, ideally in theaters.

Unless you think you’d spend whole thing thinking things like:

“You can’t pull a trident through two guys handle first!”

“How can he be lifting someone off the ground who has already been shown to be taller than he is?”

“You can’t punch a motorcycle out of the air!” with a slight frown on your face.

In which case, I’m sorry you hate fun. That must be really hard for you.

Also — it was a compelling story with clearly drawn characters, excellent acting, clever twists, stylish choreography and imagery, and over the top action very well done.

Ajay Devgn's direction showed an impressive creative vision, all the more so when you consider how good the first half of his Runway 34 was - and how different the requirements of the two stories were. Many directors can't do as well and we look forward to more of his directed films.

Once again, we appreciated his acting, so clearly conveying what he is thinking often without doing much physically. That's not easy and not seen often in Indian movies. Tabu was impressive, as always. It had to be fun to play such a kick ass character.

Recommended for beginners. Rated for older teens.

Enjoyable all round.

ALSO — Discussed in An American's Guide to Bollywood.

Bollywood* Beginner Movies 7-9 — Shakespeare, Thrillers, and Modern Life

Part 1 looked at romantic comedies. Part 2 branched out to action,  romance, and myth.

Now we're looking at movies that intersect more with what we'd think of as Western movies. However, these are all distinctively Indian.

SHAKESPEARE

7. Omkara

Othello, Indian-style. Fairly faithful and gorgeous adaptation with gangsters. (My review. Scott and I talk about it here. Hannah and Rose discuss it here.)

• Ram-Leela
  Romeo and Juliet, Bollywood-style. A less faithful but even more gorgeous adaptation but it examines the families in a very Indian way. (My review. Scott and I talk about it here. Hannah and Rose discuss it here.)
  

THRILLERS

8. Kahaani

A 7-month pregnant woman arrives in Kolkata from London to seek her missing husband with nothing to rely on except her memories and a photo. This thriller blew our minds. Hollywood would be proud to make this movie. (My review. Hannah and Rose discuss it here.)

• Fan
  They had me at Shah Rukh Khan playing his own stalker. This is a solid thriller and a real star vehicle for King Khan who proves he can really act. (My review here. Scott and I discuss it here. Hannah and Rose discuss it here.)
  

MODERN LIFE

9. Piku

Piku juggles her life as a successful architect and caring for her 70-year old hypochondriac father. When they take a road trip from Delhi to Calcutta, the owner of the local cab company has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. (My review here. Scott and I discuss it here. )

• The Lunchbox
  A mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects a young housewife to a stranger in the dusk of his life. They build a connection through notes in the lunchbox. (My review here.)
  

NEXT

Part 4 will feature comedy-horror, Mollywood, and true history

For my complete list of recommended films, go here. The list begins with what I've seen most recently.

* "Bollywood" as I'm using it is shorthand for Indian movies in general. The Indian movie industry has a lot of different centers that are based on regional languages and storytelling styles. There will be a few recommendations from others as we go, however, generally speaking, Bollywood (Bombay/Mumbai) offers the easiest entry points for Western viewers.

Singham

Dirty Harry meets Bollywood. Singham is a righteous policeman from a small village who takes on the biggest criminal in Goa.

This movie is ridiculously entertaining. I've seen this three times and it remains entertaining each time.  Ajay Devgn carries it all off with style. This movie added "tight slap" and "Welcome to Goa" to our household vocab.

This was, however, the first Indian movie I saw that made me realize just how deeply different the base cultural values can be between America and India. The ending is a troubling one for Americans as we see that our ideas of vengeance and revenge are in some ways very different from ones Indians celebrate. This has since been reinforced by other movies but this was the eye opener.

Regardless, Rohit Shetty (and team) know how to direct well choreographed fight scenes and over the top action that are tons of fun.

Rating — for viewers with medium Indian film experience. (It's not rocket science, but without any cultural background at all you might feel kind of lost.)

ALSO 

Scott and I discuss it at A Good Story is Hard to Find.

Hannah and Rose discuss it as part of their cop movie series at An American's Guide to Bollywood.

Raid — Sometimes the Hero is a Taxman

The taxman cometh. And he is a righteous man. Which we already knew because he's Ajay Devgn. Hide all your undeclared gold. Because his supreme honesty will not stop until he uncovers all the taxes due to Mother India.

An honest IRS officer and his team raid a powerful politician suspected of evading taxation on an epic scale. This gripping story is based on actual events during 1981.

It's hard to image a tax raid being riveting but this had plenty of tension and one mystery which had us wondering right up to the end. Devgn is intense yet charming as the tax inspector who has been transferred 49 times in his career because he won't bow down to pressure. I also really liked Saurabh Shukla playing the politician on the take. His charisma made him the villain you loved even while despising his actions.

One thing about this sort of movie is that, even if not strictly adhering to facts, it gives me insight into India's history and culture which I'd not normally have.

Only four songs and no dances. Hey, this is a serious and modern movie!

Rating — Introduction to Bollywood (come on in, the water's fine!)

 Hannah and Rose discuss it at An American's Guide to Bollywood podcast.

Omkara — Othello, Indian-style

Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.

This is a simply wonderful Indian film adaptation of Othello as a gangster story. Not only is the film pretty faithful to the story and to the Indian environment in Uttar Pradesh, but the acting, shots and production were arresting. If you've seen it, I'm thinking especially of a particular shot in the rain in front of the train and, of course, the film's last shot. I also loved the use of specific color associations with specific characters. (Hint - in India, the color for marriage is red.)

It is, as the film says, an adaptation, but often there were lines that seemed almost lifted directly from the original. This line, in particular, was key to this production.

Shakespeare/Desdemona's father: "Look to her, Moor, if thou hast eyes to see. She has deceived her father and may thee."

Omkara/Dolly's father: "The girl who can betray her own father, how can she be trusted by anyone else."

We were especially interested to see Saif Ali Khan's take on Iago since he first came to our attention as a lovable rogue in Tashan. Khan gave an impressive portrayal of a man consumed by envy and evil. He's truly versatile.

It's Bollywood so of course there are a couple of song and dance numbers but they are worked in realistically as Kesu's (Cassio's) girlfriend is an entertainer whose performances provide key moments for the story's action.

Vishal Bhardwa is a director I will be looking for more from. I'm especially eager to see his adaptations of Macbeth and Hamlet.

Rating — for advanced viewers. (You've got to be willing to let this one wash over you, enjoying the ride for what it is ... and that means you've got to have seen enough other Indian movies to not worry about some dead space or romantic side trips. Or gangster shootings ... )

Scott and I discuss Omkara on A Good Story is Hard to Find podcast. 

Hannah and Rose talk about it on episode 42 of An American's Guide to Bollywood podcast.