A Movie You Might Have Missed #81 — The Lunchbox

It's been 12 years since I began this series highlighting movies I wished more people knew about. I'm rerunning it from the beginning because I still think these are movies you might have missed.

Can you fall in love with someone you have never met?

A mistaken delivery in Mumbai’s famously efficient lunchbox delivery system (Mumbai’s Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a connection through notes in the lunchbox. Gradually, this connection promises to move past the confines of the lunchbox.

A nice concept that developed from the filmmaker thinking about a documentary about the Mumbai lunchbox delivery system.

This is a good film but it does at a deliberate pace. The story rests on the stars to powerful performances in roles that demand understatement. They deliver in spades. I also really loved the aunty upstairs who we never see but only hear coaching the young wife in her cooking and fills in with emergency spices and ingredients. There are a lot of touches of humor throughout that make this a very enjoyable movie.

This filmmaker is known for his ambiguous endings and I'm annoyed even after two viewings over his lack of giving us a solid happy ending. Here is the place where we don't want imagination, we want to see it play out for ourselves. That is a small part of this lovely movie.

Rating — Introduction to Bollywood (come on in, the water's fine!)

Bollywood* Beginner Movies 7-9 — Shakespeare, Thrillers, and Modern Life

Part 1 looked at romantic comedies. Part 2 branched out to action,  romance, and myth.

Now we're looking at movies that intersect more with what we'd think of as Western movies. However, these are all distinctively Indian.

SHAKESPEARE

7. Omkara

Othello, Indian-style. Fairly faithful and gorgeous adaptation with gangsters. (My review. Scott and I talk about it here. Hannah and Rose discuss it here.)

• Ram-Leela
  Romeo and Juliet, Bollywood-style. A less faithful but even more gorgeous adaptation but it examines the families in a very Indian way. (My review. Scott and I talk about it here. Hannah and Rose discuss it here.)
  

THRILLERS

8. Kahaani

A 7-month pregnant woman arrives in Kolkata from London to seek her missing husband with nothing to rely on except her memories and a photo. This thriller blew our minds. Hollywood would be proud to make this movie. (My review. Hannah and Rose discuss it here.)

• Fan
  They had me at Shah Rukh Khan playing his own stalker. This is a solid thriller and a real star vehicle for King Khan who proves he can really act. (My review here. Scott and I discuss it here. Hannah and Rose discuss it here.)
  

MODERN LIFE

9. Piku

Piku juggles her life as a successful architect and caring for her 70-year old hypochondriac father. When they take a road trip from Delhi to Calcutta, the owner of the local cab company has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. (My review here. Scott and I discuss it here. )

• The Lunchbox
  A mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects a young housewife to a stranger in the dusk of his life. They build a connection through notes in the lunchbox. (My review here.)
  

NEXT

Part 4 will feature comedy-horror, Mollywood, and true history

For my complete list of recommended films, go here. The list begins with what I've seen most recently.

* "Bollywood" as I'm using it is shorthand for Indian movies in general. The Indian movie industry has a lot of different centers that are based on regional languages and storytelling styles. There will be a few recommendations from others as we go, however, generally speaking, Bollywood (Bombay/Mumbai) offers the easiest entry points for Western viewers.

Rest in peace, Irrfan

I'm surprised at how upset it made me to learn this morning that Irrfan Khan died. He was hands-down one of my favorite Indian actors, with a nuance and subtlety which gave every performance depth. I tended to forget that he'd been in Western movies like Life of Pi and Slumdog Millionaire although the admiring obituaries ranging from CNN to The Guardian to Deadline Hollywood reminded me that in many ways he was the face of India in Hollywood. What defined his skill for us were Indian movies like The Lunchbox, Haider, and Piku.

Tom also felt it more deeply than he expected and, talking it over, we realized that Irrfan was so natural seeming that you felt as if you connected with him personally in many of his roles. So it is as if we have lost a friend instead of a star. I imagine that many in India feel that and more right now.

I am glad that we so recently watched Billu, which I reviewed yesterday. It was a nice last look at Irrfan Khan while he was alive.

Grant to Irrfan eternal rest. 
Let light perpetual shine upon him. 
May his soul and the souls of all the departed, 
through the mercy of God, rest in peace. 
Amen.

Billu

This was really charming. A barber's claim to be friends with a mega-star is put to the test when a movie is shot in his small village featuring, of course, that star. We are left wondering if the barber is telling the truth and what will happen if he can manage to meet the star face-to-face.

Billu provides an interesting insight into the challenges of Indian movie making on location as well as how to handle sudden notoriety. One of the things that makes this movie so much fun for Bollywood fans is that the mega-star is played by the biggest Indian star of our time, Shah Rukh Khan (SRK). We felt a real thrill when he first appears and pulls off his helmet to show himself. The role allows us to see him behind the scenes as well as the fact that every celebrity is, underneath all the glamor, a human being. I've seen Irrfan Khan in a lot of movies where his understated style means the movie is going to be relatively low-key. His parts of this movie were a definite contrast to the "big in Bollywood" SRK part.

 I am hard put to think of another movie that successfully blends big movie glitz with thoughtful small village reality, or in other words Shah Rukh Khan's style with Irrfan Khan's. But this one pulls it off.

With three item numbers (not moving the plot forward, just for fun, and frequently with stars who we never see again in the film) as well as various other songs, this was long. But we didn't mind and already know we'll watch it again sometime when we want a feel-good movie.

Rating — Introduction to Bollywood (come on in, the water's fine!) 

Haider

A young man returns to Kashmir after his father's disappearance to confront his uncle - the man he suspects of playing a role in his father's fate.

This is a brilliant synthesis of Hamlet and a statement about police action and terrorism in Kashmir in 1995. There are even two song and dance numbers, albeit properly adapted to the grim tone, but they are brilliant as one would expect when the director has a deep music background as this one does. The gravediggers dance is genius.

The movie is not all grim. The Salman and Salman videostore owners who live, breath, sing, and dance all Salman Khan movies, all the time (Rosencrantz and Guildenstern) are a bit of comic genius. The Chutzpah jokes both entertain and make a point. All the acting is spot on, especially Tabu whose talent I appreciate anew every time I see her.

I'm not sure how the director did it but - wow.

Very violent, though, so be warned about that. I probably will rewatch it but will have to let it settle for a year or two first. I do really find the ultimate message that revenge is wrong to be unusual for Indian movies.

Having now seen all of this director's Shakespearean adaptations I can say that my favorite is Omkara, which is in line with general criticism, but Haider is definitely worth watching.

Rating — for advanced viewers. (You've got to be willing to let this one wash over you, enjoying the ride for what it is ... )

Hannah and Rose discuss Haider in episode 43 of An American's Guide to Bollywood podcast.

Piku

Piku juggles her life as a successful architect and caring for her 70-year old hypochondriac father. When they take a road trip from Delhi to Calcutta, the owner of the local cab company has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. This crazy road trip reveals much more than a cure for the father's obsessive search for a good "motion" in the bathroom.

I wasn't sure about this one but the universal rave reviews made us give it a try. And they were right. Practically perfect in every way, this movie must have resonated deeply with Indian audiences whose cultural reverence for their elders must often put them in such fixes as we see Piku struggling with. Heck, it resonated with us, even though we probably didn't understand all the nuances of the family interactions.

Excellent acting all round, especially from Irrfan as the taxi driver who does more with a silence or simple glance than most actors do with their whole body. I was afraid Amitabh Bachchan would pull a Jack Nicholson and just play a broad version of himself. But no worries. He is simply fantastic as the elderly father obsessed with a particular aspect of his health. The way the big Indian family is portrayed is also pitch perfect to anyone who's ever been part of one.

No song and dance numbers because, really, how can you build a good number around constipation?

Rating — Introduction to Bollywood (come on in, the water's fine!)