C.S. Lewis's Ghost Story

We've had Padre Pio and a ghost, St. John Bosco and a ghost. For Halloween itself, let's get one where the famous person is himself the ghost!

At the time, J. B. Phillips was in a deep depression that threatened his life. He refused to leave his chambers, refused proper food or exercise, and seriously questioned the love and election of God [in his life]. It was in this state of detachment and depression, leading to his early death…that suddenly, a ruddy and glowing C. S. Lewis stood before him, entering his room through closed doors -- a “healthy Lewis, hearty and glowing” as Phillips was later to record.

In this vision, Lewis only spoke only one sentence to Phillips: ‘J.B., it’s not as hard as you think.’ One solitary sentence, the meaning of which is debated! But what is not debated is the effect of that sentence. It snapped Phillips out of his depression, and set him again following God. After Lewis spoke that cryptic sentence, he disappeared.

Phillips came out of his chambers only to find that Lewis had died moments before the appearance, miles away. He pondered this in his heart, with wonder, and never returned to his depression. Now, was this a case of God giving a detour of a soul on the way to heaven to a special friend, to save him? Who knows? But again, it is recorded evidence of the highest order, by persons of the highest order: Lewis and Phillips. It is a ghost story, a benevolent one, to all appearances – actually, not only benevolent, but redemptive [which I would take as an element of authenticity].

This story is found in a lot of places but I like this retelling which is from Thoughts of Loy.

Happy Halloween!

Kirsten's Jack O'Lanterns

I can't believe I know people who actually carved these. Talk about a labor of love! And of creativity!

And some poetry to go along with it!

"Hallowe'en in a Suburb" by H.P. Lovecraft (1890-1937)

The steeples are white in the wild moonlight,
And the trees have a silver glare;
Past the chimneys high see the vampires fly,
And the harpies of upper air,
That flutter and laugh and stare.

For the village dead to the moon outspread
Never shone in the sunset's gleam,
But grew out of the deep that the dead years keep
Where the rivers of madness stream
Down the gulfs to a pit of dream.

A chill wind weaves through the rows of sheaves
In the meadows that shimmer pale,
And comes to twine where the headstones shine
And the ghouls of the churchyard wail
For harvests that fly and fail.

Not a breath of the strange grey gods of change
That tore from the past its own
Can quicken this hour, when a spectral power
Spreads sleep o'er the cosmic throne,
And looses the vast unknown.

So here again stretch the vale and plain
That moons long-forgotten saw,
And the dead leap gay in the pallid ray,
Sprung out of the tomb's black maw
To shake all the world with awe.

And all that the morn shall greet forlorn,
The ugliness and the pest
Of rows where thick rise the stones and brick,
Shall some day be with the rest,
And brood with the shades unblest.

Then wild in the dark let the lemurs bark,
And the leprous spires ascend;
For new and old alike in the fold
Of horror and death are penned,
For the hounds of Time to rend.

St. John Bosco's Ghost Story

This is a little reminder that All Saints' Day is on Tuesday (formerly known as All Hallow's Day), without which we would not have Hallowe'en (formerly known as All Hallow's Eve).

Nothing like a saint telling a ghost story to both celebrate spookiness and also ... saintliness!

While a young man, St. John Bosco (1815-1888) and his friend, Comollo, agreed that whoever died first would return and give a sign about the state of their soul. Comollo died on April 2, 1839. The evening following the funeral, Bosco sat sleepless on his bed in the room he shared with twenty seminarians.

“Midnight struck and I then heard a dull rolling sound from the end of the passage, which grew ever more clear, loud and deep, the nearer it came. It sounded as though a heavy dray were being drawn by many horses, like a railway train, almost like the discharge of a cannon…While the noise came nearer the dormitory, the walls, ceiling and floor of the passage re-echoed and trembled behind it…

Then the door opened violently of its own accord without anybody seeing anything except a dim light of changing colour that seemed to control the sound…Then a voice was clearly heard, ‘Bosco, Bosco, Bosco, I am saved.’… The seminarists leapt out of bed and fled without knowing where to go. … for a long time there was no other subject of conversation in the seminary.”

Isle of the Dead

Arnold Böcklin, Isle of the Dead: "Basel" version, 1880

This was so popular that the artist did several different versions of it. Read all about it at Wikipedia. Here's a bit.

All versions of Isle of the Dead depict a desolate and rocky islet seen across an expanse of dark water. A small rowboat is just arriving at a water gate and seawall on shore. An oarsman maneuvers the boat from the stern. In the bow, facing the gate, is a standing figure clad entirely in white. Just behind the figure is a white, festooned object commonly interpreted as a coffin. The tiny islet is dominated by a dense grove of tall, dark cypress trees—associated by long-standing tradition with cemeteries and mourning—which is closely hemmed in by precipitous cliffs. Furthering the funerary theme are what appear to be sepulchral portals and windows penetrating the rock faces.

A Lane

John Atkinson Grimshaw, A Lane

John Atkinson Grimshaw's work all seems wonderfully gloomy, which is perfect for this time of year. Who is that figure in the moonlight, dwarfed by the trees and sky? An innocent traveler out late? Someone sinister? Someone in need? We are left to wonder.

Padre Pio's Ghost Story

Speaking of ghosts, since Halloween is close upon us ...

Padre Pio told the story of being in the choir alone one evening to pray. He heard rustling and looked up to see a young monk dusting and straightening up the altar. When he asked who the monk was, he was told: “I am a brother of yours that made the novitiate here. I was ordered to clean the altar during the year of the noviciate. Unfortunately many times I didn’t reverence Jesus while passing in front of the altar, thus causing the Holy Sacrament that was preserved in the tabernacle to be disrespected. For this serious carelessness, I am still in Purgatory. Now, God, with his endless goodness, sent me here so that you may quicken the time I will enjoy Paradise. Take care of me.”

Source

Portrait of Padre Pio by Solomenco Bogdan
via Wikipedia

O Death, Where Is Thy Sting?

... we can give the supernatural world of evil too much power. I guess it's a case of either the devil isn't real or the devil is on every street corner hiding inside a pumpkin. Surely there is a middle ground where we acknowledge supernatural evil but we recognize its limited power in the face of the power of Christ.

Ironically I wonder if this might have been what some of the Christians were doing when they celebrated All Hallow's Eve and All Saints Day in the past. Those festivities were opportunities to laugh in the face of evil spirits, to dress up as them and sort of mock them, saying, "Hey check this out. These big, scary demons, they're just empty masks. When you compare them with the power of the risen Jesus Christ, they're not up to much."

I wonder if Halloween offers us a chance to affirm our eternal life while looking into the face of death which has actually lost its sting ... For Christians the scariness of death is not scary. Not really. Because we've got eternal life.

Peter Laws

St. James Church Cemetery

St. James Church Or Goose Creek Church And Cemetery, 1872 Engraving

Deliciously spooky!

Herbsttraum (Autumn)

 

Daniel Stark, Herbsttraum (Autumn), some rights reserved

Lovecraftian School Board Member Wants Madness Added To Curriculum

"Our schools are orderly, sanitary places where students dwell in blissful ignorance of the chaos that awaits," West said. "Should our facilities be repaired? No, they must be razed to the ground and rebuilt in the image of the Cyclopean dwellings of the Elder Gods, the very geometry of which will drive them to be possessed by visions of the realms beyond." ...

"Charles sure likes to bang on that madness drum," fellow school board member Danielle Kolker said. "I'm not totally sold on his plan to let gibbering, half-formed creatures dripping with ichor feed off the flesh and fear of our students. But he is always on time to help set up for our spaghetti suppers, and his bake sale goods are among the most popular."

"I must admit, he's very convincing," Kolker added.

This excerpt is from one of my favorite of The Onion's pieces. I enjoy rereading it every year. Do go read it all.

Inhuman, Gelatinous, and Disembodied

Shall I say that the voice was deep, hollow, gelatinous, remote, unearthly, inhuman, disembodied?

H.P. Lovecraft, the Statement of Randolph Carter

Wow. And somehow I feel I know just how it sounded.

Pirates

Illustration from page 141 of Howard Pyle's Book of Pirates

 Terrifying, am I right?

My Highway to Heaven by Blaise D'Souza

He was fifteen when he died. He had already catalogued the miracles of the world. Now a girl in Mumbai has three weeks to make them make sense.

Naomi Fernandes is sixteen, in Std. X, and not at all sure what she believes. So naturally, Sister Philomena picks her to run the parish's exhibition on St. Carlo forty panels on the Eucharistic miracles a teenage computer whiz from Milan catalogued before he died. Three weeks. One thousand rupees. A missing fortieth panel she has to find herself.

With her friends — Farhan, who is Muslim and can't stop joking; Kabir, who keeps saying he's fine; and Rajesh, a Hindu skeptic who fact-checks everything — Naomi starts reading. And the further she reads into a dead boy's list of impossible things, the closer it comes to her own family, her own friends, and a question she has never once let herself ask.

Moving between present-day Mumbai and Carlo's own short, joyful life, My Highway to Heaven is a warm, funny, moving novel about doubt and devotion, friendship and family — and about a God who goes looking for us long before we think to look for Him.

This teen novel swings between Naomi's journey and detailing various Eucharistic miracles described by Carlo Acutis. The miracle descriptions are brief but are just enough to pull the reader in. In fact, the entire book pulled me in. It is a book for teenagers but I was fully invested, unable to put it down at night, reading it in two days. I can highly recommend the book. It is indeed, as the blurb aptly describes, "a warm, funny, moving novel about doubt and devotion, friendship and family — and about a God who goes looking for us long before we think to look for Him."

Caveat
This book made me struggle — not with my faith, but with the idea of an AI written book. At the end, the author confesses that the book was written by AI. He did a lot of work, comparisons, and prompts to be sure it told the story the way he wanted. However, it was written by AI.

That was abhorrent to me. It destroyed my pleasure in the book. And yet the book didn't leave my mind or imagination. It kept coming back to me with moments I liked about the story and miracles. I found myself in a struggle as wrenching as Naomi's in the book. My questions to the author brought forth the comment that he himself struggles with expressing himself in writing, hence using this tool to write this story.

I discussed this with my family and select friends. Many had similar objections. A few, however, brought up both Alexandre Dumas's and James Michener's stable of researchers/writers. Another brought up painters from the 14th-17th centuries who relied heavily on stables of lesser-known painters who operated rather like an art factory. AI is not exactly the same thing but clearly this concept of group craftsmanship is a similar idea.

My Take

I still recommend the book. I really liked it and I think Blaise D'Souza's involvement makes it human enough. I'd have given it more stars except for the AI involvement.

I received this as a review copy and I think it is pretty clear that I didn't let that influence me.

Halloween Lagniappe: The Ghost House

This melancholy and evocative poem by Robert Frost is perfect for October.

I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.

O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.

I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;

The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.

It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me—
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.

They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad,—
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.