Rocky Aur Rani Kii Prem Kahaani (Rocky and Rani's Love Story)

Rocky is a loud, showy Punjabi from a family who made their fortune making laddoos (sweets). Rani is a sophisticated, stylish television personality from a Bengali family. Brought together by a fluke because each loves their grandparents, they fall in love. Struggling to plan their future with such different backgrounds they do the only logical thing (from a Bollywood point of view) — live with each other's  families for three months to adjust to their cultures and backgrounds and to know if their marriage will survive. This leads to funny and interesting contrasts as each has something to learn and something to teach their "new" families.

Rocky Aur Rani is a three-hour long, dance loaded, romance loaded movie that leaves you smiling. It's been described as "delicious eye candy with a rebellious core" and nothing could be truer. Ranveer Singh as Rocky has never been more charming or energetic. Alia Bhatt makes the romance seem genuine. As well as the romance, the contrast between traditional and progressive values gives you something a little deeper than the fun and froth. 

Highly recommended.

NOTES FOR INDIAN MOVIE FANS:

Rocky Aur Rani also is a delightful blending of old and new. We couldn't appreciate it the way that it would strike Indian audiences but our limited knowledge still made us happy when we recognized callbacks to old Indian films. The music was composed by superstar Pritam as an homage to 1960s and 70s songs from Bollywood classics. Some of the actors were actually in those classics. We were especially delighted to see Dharmendra and Jaya Bachan (who we'd seen in the curry-western Sholay, as well as a few other films). 

Partway through, this suddenly struck me forcibly as a modern take on Kabhi Khushi Kabhie Gham (K3G - my review). We watched it early in our Indian movie explorations and it didn't go down well for this American family. I'd forgotten most of the details but somehow that K3G vibe was there. Afterward, I remembered it was an early film for Rocky Aur Rani's director, Karan Johar. It's as if he was shaking off the cobwebs and bringing it into the present. I don't tend to love Johar's films, but this time — we thoroughly approved.

Bollywood* Beginner Movies 7-9 — Shakespeare, Thrillers, and Modern Life

Part 1 looked at romantic comedies. Part 2 branched out to action,  romance, and myth.

Now we're looking at movies that intersect more with what we'd think of as Western movies. However, these are all distinctively Indian.

SHAKESPEARE

7. Omkara

Othello, Indian-style. Fairly faithful and gorgeous adaptation with gangsters. (My review. Scott and I talk about it here. Hannah and Rose discuss it here.)

• Ram-Leela
  Romeo and Juliet, Bollywood-style. A less faithful but even more gorgeous adaptation but it examines the families in a very Indian way. (My review. Scott and I talk about it here. Hannah and Rose discuss it here.)
  

THRILLERS

8. Kahaani

A 7-month pregnant woman arrives in Kolkata from London to seek her missing husband with nothing to rely on except her memories and a photo. This thriller blew our minds. Hollywood would be proud to make this movie. (My review. Hannah and Rose discuss it here.)

• Fan
  They had me at Shah Rukh Khan playing his own stalker. This is a solid thriller and a real star vehicle for King Khan who proves he can really act. (My review here. Scott and I discuss it here. Hannah and Rose discuss it here.)
  

MODERN LIFE

9. Piku

Piku juggles her life as a successful architect and caring for her 70-year old hypochondriac father. When they take a road trip from Delhi to Calcutta, the owner of the local cab company has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. (My review here. Scott and I discuss it here. )

• The Lunchbox
  A mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects a young housewife to a stranger in the dusk of his life. They build a connection through notes in the lunchbox. (My review here.)
  

NEXT

Part 4 will feature comedy-horror, Mollywood, and true history

For my complete list of recommended films, go here. The list begins with what I've seen most recently.

* "Bollywood" as I'm using it is shorthand for Indian movies in general. The Indian movie industry has a lot of different centers that are based on regional languages and storytelling styles. There will be a few recommendations from others as we go, however, generally speaking, Bollywood (Bombay/Mumbai) offers the easiest entry points for Western viewers.

Bollywood* Beginner Movies 4-6 — Romance, Action, and Myth

Last week we began by looking at romantic comedies. We continue with different genres and stars — action, romance, and over-the-top mythical tales. You'll get a sample of a distinctive director, S.S. Rajamouli, whose films Telugu language movies which are called "Tollywood."

ACTION

4. Bang Bang 

Frothy cotton candy action-romance when an ordinary woman encounters an charming thief. Full of diamond heists, car chases, and (of course) lots of singing and dancing. You'll see why Hrithik Roshan is considered one of India's best dancers. (My review, Hannah and Rose discuss it here.)

• Tashan (Style)
  Ridiculously entertaining action film combining Tarantino style action (without the gore because it is Bollywood not Hollywood) with big song and dance numbers (Bollywood not Hollywood). (My review here. Hannah and Rose discuss it here.)
  

 ROMANCE

5. Lootera

In a village, a young archaeologist falls in love with a landlord’s daughter. Their union seems doomed. But destiny brings them together a year later. A straight-up romance that's full of twists, turns, and reversals. With redemption in the end. No singing and dancing but a fantastic movie. (My review here)

 ACTION
(From Tollywood)

6. RRR
(Rise Roar Revolt)

The director's dream about two Indian revolutionaries who never met but might have been besties if they had. An over-the-top bro-mance with great choreography for singing and action, exciting dances, and a lot of heart. American critics loved this one. (My review here. Scott and I discuss it here.)  

More from director S.S. Rajamouli:

• Baahubali 1 & 2
  Epic. Myth. Battles. Good. Evil. Singing. Dancing. And war elephants. About a royal family in a mythical India that's more like The Lord of the Rings or 300 than you are probably imagining. CGI in the first one isn't great, but just ignore it. (My review. Scott and I discuss them here. Hannah and Rose talk about them here.)
  
• Eega
  Totally amazing movie about a guy murdered by his rival in love ... who is reincarnated as a fly. And is still determined to take vengeance on his murderer and protect his love. By the director of Baahubali and RRR. (My review here. Hannah and Rose discuss it here.)
  

NEXT

Part 3 will feature Shakespeare, thrillers, and modern life.

For my complete list of recommended films, go here. The list begins with what I've seen most recently.

* "Bollywood" as I'm using it is shorthand for Indian movies in general. The Indian movie industry has a lot of different centers that are based on regional languages and storytelling styles. There will be a few recommendations from others as we go, however, generally speaking, Bollywood (Bombay/Mumbai) offers the easiest entry points for Western viewers.

Romeo and Juliet — Bollywood Style

Ram and Leela, passionately in love with each other, realize that the only way to stop the bloodshed between their respective clans is to sacrifice their own lives.

So, right there in the description you can see that this telling of Romeo and Juliet takes a definitely Indian twist. It's all about family, all the time.

This was directed by Sanjay Leela Bhansali whose movies are famously beautiful and this is no exception. Set in a town where two gangster families (another familiar Indian theme) openly war for dominance, Ram and Leela meet at a Holi celebration. It's clever because the colored powder partially disguises their features (instead of the masked ball of Shakespeare's writing).

I really enjoyed this adaptation, especially the chemistry between Deepika and Ranveer Singh. The way they interact, right up to the end, shows us how deeply and instinctively they understand each other ... and without a lot of sappy stuff. Melodrama - yes. Over the top theatrics - yes. Sexual attraction - yes. (Good heavens, that incense scene was amazing.) But not sappiness. Which I appreciate.

I didn't love the bit where each takes over running their clans. With the emphasis on family and town politics, it sagged some. It expressed the ending we expect in the most Indian of ways ... so much so that it made it a delight. Also, I've never seen family so examined in Romeo and Juliet, but to be fair - that's also very Indian. I loved those aspects a lot.

Overall this movie is a good adaptation. The songs and dances are really good and, of course, Deepika and Ranveer Singh are a delight for the eyes. So even if you don't love the rest of it, you can enjoy the show.

Rating — for advanced viewers. (You've got to be willing to let this one wash over you, enjoying the ride for what it is ... it also helps if you've got a basic knowledge of Romeo & Juliet, but that's not really necessary).

Scott and I discuss this at A Good Story is Hard to Find podcast.

Hannah and Rose discuss it in episode 44 of An American's Guide to Bollywood podcast.

Band Baaja Baaraat (Band Music and Revelry)

Bittoo meets Shruti when he crashes a wedding for free food and she tries to have him thrown out. He's interested in flirting but she's all business about her future, which does not include romance. That's ironic because she's going to begin a wedding planning service. When his father wants Bittoo to return to the sugar cane farm, Bittoo throws in his lot with Shruti's. It's strictly business. Of course.

This is a solid romantic comedy and a much better movie than the description makes it seem. The script often surprised me by taking unexpected turns. Probably the most refreshing bit was that it focused much less on the problems of running a wedding planning company than those of their relationship. Normally that wouldn't be a plus for me but these two actors elevated the movie and with the plot twists it all worked. Plenty of songs and dance numbers kept it fun and the item number is wonderfully over the top.

Rating — Introduction to Bollywood (come on in, the water's fine!)

 Hannah and Rose review this on An American's Guide to Bollywood podcast.

Lootera

In a village, a young archaeologist falls in love with a landlord’s daughter. Their union seems doomed. But destiny brings them together a year later. Will they live happily ever after?

Loosely based on an O'Henry short story, The Last Leaf, so it is no surprise that this story is full of twists, turns, and reversals. With redemption in the end. I am loathe to say too much lest I reveal the surprises which caught all of us off-guard and filled us with suspense in the last third of the film.

The directing was highly confident and in a more Western style than you usually expect from Bollywood. There were silences creating space for us to think and wonder. Character development was subtle, mature, and believable. And the cinematography was simply beautiful, reinforcing the themes of each act.

Highly recommended and we're going to look for more from this director.

Rating — Introduction to Bollywood (come on in, the water's fine!)