Showing posts with label Katrina Kaif. Show all posts
Showing posts with label Katrina Kaif. Show all posts

Tuesday, January 31, 2023

Bollywood* Beginner Movies 4-6 — Romance, Action, and Myth

Last week we began by looking at romantic comedies. We continue with different genres and stars — action, romance, and over-the-top mythical tales. You'll get a sample of a distinctive director, S.S. Rajamouli, whose films Telugu language movies which are called "Tollywood."

ACTION

4. Bang Bang 

Frothy cotton candy action-romance when an ordinary woman encounters an charming thief. Full of diamond heists, car chases, and (of course) lots of singing and dancing. You'll see why Hrithik Roshan is considered one of India's best dancers. (My review, Hannah and Rose discuss it here.)

  • Tashan (Style)
    Ridiculously entertaining action film combining Tarantino style action (without the gore because it is Bollywood not Hollywood) with big song and dance numbers (Bollywood not Hollywood). (My review here. Hannah and Rose discuss it here.)

 ROMANCE

5. Lootera

In a village, a young archaeologist falls in love with a landlord’s daughter. Their union seems doomed. But destiny brings them together a year later. A straight-up romance that's full of twists, turns, and reversals. With redemption in the end. No singing and dancing but a fantastic movie. (My review here)



 ACTION
(From Tollywood)

6. RRR
(Rise Roar Revolt)

The director's dream about two Indian revolutionaries who never met but might have been besties if they had. An over-the-top bro-mance with great choreography for singing and action, exciting dances, and a lot of heart. American critics loved this one. (My review here. Scott and I discuss it here.)  

More from director S.S. Rajamouli:

  • Baahubali 1 & 2
    Epic. Myth. Battles. Good. Evil. Singing. Dancing. And war elephants. About a royal family in a mythical India that's more like The Lord of the Rings or 300 than you are probably imagining. CGI in the first one isn't great, but just ignore it. (My review. Scott and I discuss them here. Hannah and Rose talk about them here.)
  • Eega
    Totally amazing movie about a guy murdered by his rival in love ... who is reincarnated as a fly. And is still determined to take vengeance on his murderer and protect his love. By the director of Baahubali and RRR. (My review here. Hannah and Rose discuss it here.)

NEXT

Part 3 will feature Shakespeare, thrillers, and modern life.

For my complete list of recommended films, go here. The list begins with what I've seen most recently.

* "Bollywood" as I'm using it is shorthand for Indian movies in general. The Indian movie industry has a lot of different centers that are based on regional languages and storytelling styles. There will be a few recommendations from others as we go, however, generally speaking, Bollywood (Bombay/Mumbai) offers the easiest entry points for Western viewers.

Tuesday, February 12, 2019

Bang Bang! Delightful Cotton Candy.

A chance encounter of the unassuming bank receptionist Harleen Sahni with the charming yet mysterious Rajveer Nanda, results in an on-rush of ditched planes, car chases, shoot-outs, bombing raids and general global mayhem. But as the transcontinental chase ensues with Rajveer convincing Harleen that he’s the good guy, can she really trust him, and will trust matter when the bullets start flying?

A light, frothy take on a Tom Cruise movie (Knight and Day) with, of course, delightful dancing and pushing the envelope with a lingering kiss (gasp!). Lots of mindless fun. I never saw Knight and Day, but Rose did and she says this is much superior.

Rating — Introduction to Bollywood (come on in, the water's fine!)

Hannah and Rose discuss it in episode 37 of An American's Guide to Bollywood podcast.

Here's my favorite dance number (and everyone else's — 75 million views) from the film. Because no one dances quite like Hrithik Roshan.

Monday, July 9, 2018

Ridiculously Entertaining: Tashan and Dhoom 3

I was going to stop talking about Bollywood movies unless I came across something that I thought would be good entryway films.

And then this weekend I came across two such movies. These are both by director/screenwriter Vijay Krishna Acharya. That is completely coincidental but it did wind up leaving me with my first Indian director to keep an eye out for. Both these movies were on the top 100 Bollywood movies list that Rose is working from for guidance in exploration. Dhoom 3 has the added advantage of starring Aamir Khan who is a favorite of ours.

At any rate, both these combine recognizable Western styles with Bollywood filmmaking. It makes for extremely entertaining viewing.

Jeetendra Kumar Makwana is employed full-time at a Call Center and works part-time teaching English. He is recruited by an attractive young woman, Pooja, to teach her Hinglish-speaking boss, Bhaiyaji, English. Jeetendra agrees to do so, falls in love with Pooja, and joins forces with her to steal a bag containing 25 Crore Rupees in cash. He will soon find out that Bhaiyaji is a hoodlum and extortionist known to the Police as Lakhan Singh. And that spells big trouble for everyone.
Tashan means style and this picture has it in spades. It is ridiculously fun Tarantino style action (without the gore because it is Bollywood not Hollywood) with big song and dance numbers (Bollywood not Hollywood). Indian reviews wavered on giving approval but American reviews all raved, as did we. This director obviously has a way with movies that appeals to American sensibilities.

My favorite character was the hit man sent to retrieve the two thieves. The "Jackie Chan of India" he played a character who turned into a lovable oaf (much like Jayne on Firefly) and won my heart. My favorite number was the Hollywood film one, which got so many tiny Hollywood things wrong (in a charmingly Indian way) but still worked most amusingly. It also gave me a new Khan to keep an eye out for — Saif Ali Khan — whose charming twinkle reminded us all strongly of Bradley Cooper.

This was a milestone for us in several ways because we got an in-joke about Indian movies, recognized posters for other movies on city streets, and recognized two of the stars from other movies we'd seen. Baby steps. But fun.

Rating — Introduction to Bollywood (come on in, the water's fine!)

Hannah and Rose talk about Tashan at An American's Guide to Bollywood.



To avenge his father’s death, a circus entertainer trained in magic and acrobatics turns thief to take down a corrupt bank in Chicago. Two cops from Mumbai are assigned to the case.
Another ridiculously entertaining film from Vijay Krishna Acharya, starring Aamir Khan who carries the film on his broad, capable shoulders. It is part of the Dhoom buddy-cop franchise only in a minor way, with Jai and Ali's part being a subplot rather than the main action. And that works. In case we we were wondering who the movie is about, three of the four musical numbers are Aamir's, while the fourth is the female lead's audition for the Great Indian Circus — danced for Aamir. Aamir is the film's ostensible villain but by the time the film ends, we were wondering why policeman Jai gives a spech about the evil bank. (I guess that told us who the real villain is.) Anyway Aamir Khan's character is what this movie is about and Our household approved all the way.

This movie was set in Chicago which made us even more interested to see it and, as with Tashan, there were some endearing misunderstandings of America. My favorites were a newsstand which clearly looked Indian and the fact that the flashbacks were costumed as if they were from the 1920s instead of the 1990s. We could only figure that the filmmakers wanted to be sure we got a sense of "long ago" and couldn't find enough obvious differences between the clothing of 2013 and that of 20 years before. Regardless, it was extremely entertaining and those little missteps only added to the charm for us.

Rating — Introduction to Bollywood (come on in, the water's fine!)

Tuesday, July 3, 2018

A Little More Bollywood: Chak De! India and Ek Tha Tiger

RAW agent Tiger is on a mission to retrieve information from a scientist in Dublin. The plot centers on an Indian spy (RAW) code-named Tiger who falls in love with a Pakistani spy (ISI) during an investigation and how Tiger’s ideology and principles change over time.
This was our first movie by Salman Khan, the last of the Three Khans for us to sample.

The movie had problems, being a blend of James Bond with romantic comedy. And not a stellar version of either genre was being blended If that sounds awkward, then I did my job describing it.

Adding to the problems, Khan reminded me of no one so much as Sylvester Stallone. Now, there's nothing wrong with Sylvester Stallone. I am second to none in my admiration of Rocky, but he has definite limitations as an actor. And that's what we saw in this example of Khan's work.

Just a few Bollywood song and dance numbers in this one, with the stellar one being over the end credits. I realized I was a bit addicted to the Bollywood format by how happy I was to see a musical number begin. Happy out of all proportion considering they used to make me roll my eyes.

This won't be our last sampling of Salman Khan's movies. I want to give him a fair chance. He's a top Bollywood actor. But this isn't his finest hour. (Or if it is, then he just isn't be my favorite of the Three Khans.)

Rating — Introduction to Bollywood (come on in, the water's fine!)


Chak De! India follows a team of rag-tag girls with their own agenda who form Team India competing for international fame in field hockey. Their coach, the ex-men’s Indian National team captain, returns from a life of shame after being unjustly accused of match fixing in his last match. Can he give the girls the motivation required to win, while dealing with the shadows of his own past?
This was really solid. Shahrukh Khan shows he can play nice with others by not having to be in a lot of the scenes even though he is the main character and star. This is our second of his films and it was nice to see him in a more conventional role though I did miss seeing him shirtless in a dance number. This movie had songs but, as seems to be the case with some of the modern movies, they were played against standard montages (training, traveling, etc.).

It was a fairly straight forward feminist underdog sports film with an interesting undertone of combating regionalism in favor of nationalism. I never knew that was an Indian problem but I read that this movie was really significant for India in several ways and I'd guess that was one of them.

Overall it is, as I said, solid. And definitely enjoyable.

Rating — Introduction to Bollywood (come on in, the water's fine!)