And the Winner Is — 1944

Our family is working our way through Oscar winners and whichever nominees take our fancy. Also as they are available, since these early films continued to be hard to find.

This is the last year until just recently that more than five films could be nominated. Normally we have enjoyed the wide variety. This year, however, ugh! Casablanca was the only genuinely good movie. The others were obviously chosen for artsy quality or topic (WWII anyone?). 

You can't blame them but it didn't make for much enjoyable viewing. Nevertheless we persevered, except for For Whom the Bell Tolls — 3 hours of the Spanish civil war and Hemingway was not going to cut it. We save those long movie nights for Indian movies!

Nominated films that we didn't watch because we'd couldn't find them were The Pied Piper and Wake Island.

WINNER

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

1944 Oscar winner. The Academy got this one right. One of the best movies ever made. Interestingly, it was made to show how American indifference to the war was wrong. 

 NOMINEES

Spoiled playboy Henry van Cleve dies and arrives at the entrance to Hell, a final destination he is sure he deserves after living a life of profligacy. The devil, however, isn’t so sure Henry meets Hell’s standards.

There was no contest between this and winner Casablanca. Also, this is nothing like the infinitely more charming 1978 movie of the same name.

In 1858 Lourdes, France, adolescent peasant Bernadette has a vision of “a beautiful lady” in the Massabielle grotto - the townspeople assume this lady to be the Virgin Mary.

A perfectly fine straight-forward telling of Bernadette of Lourdes and the opposition to her reports of the visions of the Virgin Mary. Not really my sort of movie, possibly because I knew of all the events except for after she became a nun.

Set in Washington, D.C., this romantic comedy presents a comic look at the housing shortage during World War II.

We thought we'd see something not about WWII. The joke was on us! It was amusing although it didn't have the feel of the sort of movie that would have been nominated for an Oscar. 

On the eve of World War II, the German Kurt Müller, his American-born wife Sara, and their three children, having lived in Europe for years, visit Sara’s wealthy mother near Washington, DC. Kurt secretly works for the anti-Nazi resistance. A visiting Romanian count, becoming aware of this, seeks to blackmail him.

This was a long, boring, preachy version of Casablanca - American style. It's truly hard to believe that Dashiell Hammett had anything to do with this. Ugh.

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

This had one message and one message only. No time for subplots! Well done but really depressing. Even more sadly, we've seen enough mobs motivated by feelings that it felt all too familiar. That feels rather surreal, here in 2026.

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All the Oscar viewing is here.