Friday, September 25, 2020

Cajun Meatball Fricasse

I'd never heard of this dish but it is quite good and makes a nice change from the regular idea of meatballs derived from Italian or Swedish roots. Get it at Meanwhile, Back in the Kitchen.

History's Queen by Mike Aquilina

 


In History’s Queen, you’ll learn about the many ways Mary has left her mark on the great events of time, not only as we see them in the Bible, but also in pivotal events such as Fatima, the battle of Lepanto, and the plague. In this journey through two thousand years of Mary’s active participation in world events, each chapter of History’s Queen highlights a Marian intervention that is emblematic of a particular era, and opens our eyes to the ways in which Mary provides a vital key for understanding both our past and our future.
I have always enjoyed books which give us a glimpse of God working in history. In this book, Mike Aquilina takes us on a quick tour of the Virgin Mary leaving her marks on historical events. In so doing, he also gives beautifully lucid descriptions of historical context. I always came away with a fuller understanding of events than I had before, often linked to a better understanding of the effect it had on our times.
On the judgment day, the Koran says, God will ask Jesus whether he told the people to worship himself and Mary in addition to God, and Jesus will emphatically deny it. This verse suggests a Trinity consisting of the Father, the Son, and Mary. Many Christian commentators have said that the verse shows a profound ignorance of Christian doctrine. But it might be better to say that it shows a firsthand nowledge of Christian practice. Mohammed had not seen the Christianity of the theologians and apologists. He had seen the Christianity a merchant would see—the Christianity of common people on the edge of theChristian world. And for those common people, Mary was the route to the divine. She was everywhere. The mistake was easy to make. It is the mistake some evangelical Protestants still make today when they say that Catholics worship Mary.

This isn't just about Marian apparitions, although we are shown some of those. It also is about the times when Christians were inspired and informed by  aspects of Mary which affected behavior, art, and creativity in everything from public policy to everyday life. We are shown Byzantium and those who protected icons from being smashed, Irish missionaries to Europe and the Book of Kells, the rise of the great cathedrals and the Book of Hours, the plague and the Pieta, Luther and mass media, Guadalupe in Spain and Mexico, and more. In all cases, Mary is there to inspire Christians and care for them like a mother. Aquilina's skill in showing that through such diverse historical events not only informs but reassures. 

This is a message not only of history but also a reminder that as God has moved in the past, so he continues to do today—weaving salvation history with Mary as his willing servant.

Lady in a Red Hat


Lady with a Red Hat, Frank Duveneck, 1904
Dallas Museum of Art
This is another of those paintings which just can't be fully appreciated on screen. The way the artist captured backlighting with the light coming through the red feathers and casting red highlights on the lady's face is mesmerizing and unique.

Thursday, September 24, 2020

Gospel of Matthew — The Transfiguration: Parallel to the Execution

Matthew 17:1-8

This parallel never occurred to me before. But what a world of meditation it opens up!

12th-century icon of the Transfiguration
Saint Catherine's Monastery, Sinai (Egypt)
The transfiguration scene serves as "a twin of sorts" to the execution narrative in 27:32-54. Davies and Allison beautifully note the parallels. "In the one, a private epiphany, an exalted Jesus, with garments glistening, stands on a high mountain and is flanked by two religious giants from the past. All is light. In the other, a public spectacle, a humiliated Jesus, whose clothes have been torn from him and divided, is lifted upon a cross and flanked by two common, convicted criminals. All is darkness. We have here a pictorial antithetical parallelism, a dyptych in which the two plates have similar lines but different colors. The parallel scenes highlight the horror of Good Friday and the splendor of Jesus's love for us. It is no ordinary man that will be crucified on Calvary, but the beloved Son of God revealed in glory at the transfiguration. This same glorified Son will freely submit himself to utter humiliation in order to redeem the human family (see Phil 2:5-11).
Quote is from Catholic Commentary on Sacred Scripture: Gospel of Matthew by Curtis Mitch and Edward Sri. This series first ran in 2008. I'm refreshing it as I go.

Wednesday, September 23, 2020

Pope Francis — Euthanasia and assisted suicide are always the wrong choice

To take one’s own life breaks one’s relationship with God and with others. “Assisted suicide aggravates the gravity of this act because it implicates another in one’s own despair,” it said.

The Christian response to these actions is to offer the help necessary for a person to shake off this despair, it emphasized, and not to indulge “in spurious condescension.”

“The commandment ‘do not kill’ ... is in fact a yes to life which God guarantees, and it ‘becomes a call to attentive love which protects and promotes the life of one’s neighbor,’” the letter said.

The 45 page document (Samaritanus bonus: on the Care of Persons in the Critical and Terminal Phases of Life) is all over the news. Probably the least biased place to read about it is at the Catholic News Agency which does a straight forward reporting job.

As CNA points out, this is a reaffirmation of classic Catholic teachings. In fact, looking around I found this Declaration on Euthanasia from 1980. However, the attention the new document is receiving means it was high time to spell things out again.

The reaffirmation came to mind strongly when I was reading this morning's commentary from In Conversation with God.

Whether we are dealing with children in the womb, old people, accident victims, the physically or mentally ill, we are always dealing with our fellow human beings whose credentials of nobility are to be found on the very first page of the Bible: "God created man in his own image" (Gen. 1:27). On the other hand, it has often been said that it is possible to judge a civilization by the way it deals with the defenseless, with children, with the sick, etcetera. Wherever you have a sick person, there has to be a supremely human environment where each one is treated with dignity. One experiences in such circumstances the closeness of brothers and friends.

Paul VI, Address, 24 May 1974, italicized

Great White Egret

Great White Egret, Remo Savisaar

 

Tuesday, September 22, 2020

A Movie You Might Have Missed #22 — Radio Days

It's been 10 years since I began this series highlighting movies I wished more people knew about. I'm rerunning it from the beginning because I still think these are movies you might have missed.

 

Before the internet, video games, and television, there was radio which captivated its audience just as thoroughly as modern storytelling venues do today. 

This movie is Woody Allen's love letter to the medium he grew up with. He narrates as we watch a young boy's view of his ordinary family and the way that different radio shows influenced their lives. Several generations of his family live in their New York house during World War II and the always-playing radio provides the backdrop to the small daily dramas that make up their lives. The stories go from humorous to dramatic as we see the family stories interspersed with those of the radio stars of the day and Sally the cigarette girl who is struggling to begin a radio career. 

At the heart is a love of family that shines through all the everyday ordinary scenarios and the nostalgic look at the past. Thoroughly captivating and a movie I have watched countless times.

Monday, September 21, 2020

What we can learn from Ginsburg’s friendship with Antonin Scalia

 Eugene Scalia considers Ruth Bader Ginsburg's legendary friendship with someone who was her ideological opposite, his father Antonin Scalia.

It’s often remarked today that if our government leaders spent more time together, they would come to like and respect one another, be more civil, and achieve consensus, harmony and wondrous legislation.

Don’t draw that lesson from Ginsburg-Scalia. ...

What we can learn from the justices, though — beyond how to be a friend — is how to welcome debate and differences. The two justices had central roles in addressing some of the most divisive issues of the day, including cases on abortion, same-sex marriage and who would be president. Not for a moment did one think the other should be condemned or ostracized. More than that, they believed that what they were doing — arriving at their own opinions thoughtfully and advancing them vigorously — was essential to the national good. With less debate, their friendship would have been diminished, and so, they believed, would our democracy.

Read the whole thing at The Washington Post.

A Unique and Inexhaustible Book

There is a unique and inexhaustible book in which all there is to say about God and man is said. God's presence pervades it and in it are revealed all those aspects of His mysterious being that we are allowed to glimpse; in it He appears, He speaks, and He acts. Man can also see himself in it, in all his potentialities, his grandeur and his weakness, from his sublimest aspirations down to those obscure regions of consciousness in which each of us bleeds from the wound of Original Sin. It embodies above all a religious doctrine, the doctrine of the revealed truth; but human knowledge and intellectual activity also find in it right and never-failing nourishment. It is as vain to claim to understand the principles of ethics and law as of sociology, economics, and even politics if we are unaware of the message contained in this book.

Henri Daniel-Rops, What is the Bible?

Dorothy

Dorothy, John Singer Sargeant
Dallas Museum of Art
I love Sargeant's portraits anyway, but this little lady's expression just wins me over every time. She brims with personality.

Friday, September 18, 2020

Crunchy Onion Burger

Simple, delicious, and even my mom who doesn't like hamburgers (which is still hard for me to fathom) liked them. Get your Crunchy Onion Burger at Meanwhile, Back in the Kitchen.

Jodhaa Akbar

An epic romance, set in 16th-century India, about the love story between Jalaluddin Mohammad Akbar, the Mughal Emperor of Hindustan, and Rajput princess Jodhaa. In order to extend his empire, Akbar agrees to a marriage of alliance to young and fiery Jodhaa but soon realizes he has to defend his choice of bride as his courtiers voice their displeasure at the idea of their Muslim Emperor marrying a Hindu.

The first time we watched this we found the first part really disorienting. I assume that if you are Indian you know a lot about the factions we were being introduced to and the basic history being told — which we had no clue about. Also, as Bollywood newbies, we had a really tough time keeping track of the many warriors and kings, especially since they all were in historical garb. However, the film did a good job bringing us up to speed, the romance was compelling, and by the time they got to proclaiming the emperor Akbar, we were on board all the way. 

A second viewing, almost two years and 150 Indian movies later, made us really able to appreciate it properly. We could even keep track of all those confusing warriors and kings! Also, with the basic story knowledge from our first viewing meant that we could properly appreciate the performances. 

When they say "epic romance" they aren't kidding. By the time that the emperor and Jodhaa declare their love and he puts his hands on her shoulders (yes, they move slowly in a traditional movie like this), you'd been brought to a state of high tension over that ultimate forehead kiss and neck nuzzle. It doesn't hurt that they are the hottest emperor and empress ever. 

This is something on a scale that Cecil B. DeMille would have loved. Lavish is an understatement for the jewelry and costumes and settings. The battles are grand in every sense of the word. It is a feast for the eyes.

The first time around we thought that the movie must have been modernized because Akbar's religious views were so tolerant. We were impressed when we looked up his history and saw that he was indeed a most unusual ruler for his time. Interestingly, on vacation in Charleston talking over movies with some Indian tourists, we brought up Jodhaa Akbar, asking if the great Akbar was as portrayed. He obviously is a national hero because they instantly began praising him with great animation and enthusiasm. It was really impressive and makes the movie even more fun to watch.

NOTE: medium to difficult Bollywood viewing. Just let it flow over you without worrying too much about the politics and you'll enjoy it.

Scott and Julie discuss Jodhaa Akbar at A Good Story is Hard to Find podcast.

Hannah and Rose discuss Jodhaa Akbar at An American's Guide to Bollywood.

The Icebergs

The Icebergs, Frederic Edwin Church
Dallas Museum of Art
Nothing can replace sitting in front of this painting and taking it all in. The tints and coloring are impossible to adequately convey on a screen.

I love the story that this was bought by a private collector and kept out of public view for over a hundred years. When it came back into public sight for auction, it raised the most ever given for an American painting. The anonymous buyers donated it to the Dallas Museum of Art. After Lamar Hunt's death, he and his wife were revealed as the generous donors.

The study of history is a powerful antidote to contemporary arrogance.

The study of history is a powerful antidote to contemporary arrogance. It is humbling to discover how many of our glib assumptions, which seem to us novel and plausible, have been tested before, not once but many times and in innumerable guises; and discovered to be, at great human cost, wholly false.
Paul Johnson, The Recovery of Freedom (1980)

Thursday, September 17, 2020

Making pain meaningful

Obedience makes our actions and sufferings meritorious in such a way that, no matter how pointless they may seem, they in fact can be extremely fruitful. One of the wonderful things Our Lord has done is to have made the most useless things, like pain, meaningful; by his obedience and his love He has made it glorious.

R. Garrigou-Lagrange, The Three Ages of the Interior Life

Time and Tide

Time and Tide, 1873, Dallas Museum of Art
Alfred Thompson Bricher
I just love this painting. I could stand in front of it all day.

A Movie You Might Have Missed #21 — Shaun of the Dead

It's been 10 years since I began this series highlighting movies I wished more people knew about. I'm rerunning it from the beginning because I still think these are movies you might have missed.


Shaun and his best friend are a couple of slackers. A good evening is one that ends at the pub and every evening ends at the pub. Shaun's girlfriend is less than pleased with this lack of initiative, especially after celebrating their third anniversary ... at the pub. She breaks up with Shaun who is so distraught that he doesn't notice all there is a zombie epidemic all around them. This leads to some hilarious scenes, such as when Shaun and his friend first encounter zombies and think they are drunks. Shaun takes the lead in rescuing his mum and ex-girlfriend to take them to the safest place he can think of ... the pub. This truly is a romantic comedy with the original twist being the zombies.

I was anxious to see this from the first moment I heard the premise, yet put it off for fear of the "R" rating (for zombie violence ... yes, that's actually what it says). There is plenty of warning for any such scenes and much of it is so fake that it doesn't matter. The directors are really good at combining our awareness that this is a zombie movie with Shaun's general cluelessness to provide many very funny jump scenes as well.

Wednesday, September 16, 2020

Why Coming Back to Mass Matters

What probably surprises most contemporary readers of the book of Exodus is that, immediately following the laying out of the moral commandments, the author spends practically the rest of the text, chapters 25 through 40, delineating the liturgical prescriptions that the people are to follow. ...

No indication whatsoever is given that the moral prescriptions are somehow more important than the liturgical prescriptions. If anything, the contrary seems to be the case, since Exodus is followed immediately by the book of Leviticus, which consists of twenty-eight chapters of dietary and liturgical law. ... God doesn’t need the ark and the tabernacle and priestly vestments and regular worship, but we do. Through the gestures and symbols of its liturgical praise, Israel is brought on line with God, ordered to him. The moral law directs our wills to the divine goodness, but the liturgical law directs our minds, our hearts, our emotions, and yes even our bodies to the divine splendor.
This is a great piece from Bishop Barron which uses Exodus to remind us that following moral law matters but just as important is learning holiness through the liturgy. Thanks to Patsy for bringing it to my attention. I loved it.

Gospel of Matthew — Transfiguration: The Cloud

Matthew 17:1-8

This is one of the biggies in the gospels and so much has been said about it. I always found that cloud mysterious until I was reminded that the shechinah, the glory of God shows up prominently in Exodus. In a pillar leading the people, covering the mountaintop when Moses visits, etc.

And here is the cloud of God's presence again. Of course.

Transfiguration, Alexander Andreyevich Ivanov
Peter, James, and John did not see any ordinary cloud atop the mountain of transfiguration. They saw the cloud of God's Presence. In the Old Testament God's presence was made manifest to Israel in the form of a thick and luminous cloud. God guided the Israelites through the desert in a pillar of cloud (Exod 13:21-22). At Sinai the cloud of God's glory overshadowed the mountain when Moses received the Ten Commandments (Exod 24:15-18). Later the cloud filled the tabernacle (Exod 40:34). It also filled the temple in Jerusalem at its dedication by Solomon (1 Kings 8:11). However, in the sixth century BC, the prophet Ezekiel received a vision of God's glory cloud leaving the temple and Jerusalem because of the people's sinfulness (Ezek 10). Since that time, god's presence had not been visibly manifest to Israel But the prophets envisioned the return of this cloud to God's people in the eschatalogical age (2 Macc 2:8, Isa 4:5, Eze 43:1-5). Peter, James, and John witnessed the fulfillment of these prophetic hopes when the "bright cloud cast a shadow over them" on the mountain of transfiguration.
Quote is from Catholic Commentary on Sacred Scripture: Gospel of Matthew by Curtis Mitch and Edward Sri. This series first ran in 2008. I'm refreshing it as I go.

Tuesday, September 15, 2020

Workers, Flowers and the Virgin of San Juan

The Workers, Alfredo Ramos Martinez
Dallas Museum of Art
Continuing last week's Dallas Museum of Art post, we then wandered into an exhibit of Alfredo Ramos Martinez. His style isn't one I'd normally be drawn to, but after just having been immersed in Latin American art, we were primed to take a closer look. I particularly was intrigued by his paintings done on newspaper. All those stripes? Yes. Creative use of newsprint lines in the newspaper. It was really fascinating. Tom especially liked the use of black outline to give a three dimensional aspect to the elements.

Not all his work was like that, of course. I was struck by his floral paintings. These were on loan so we were lucky to see them.

Blue Jar with Flowers, Santa Barbara Museum of Art


La Virgen de San Juan, Santa Barbara Museum
And the Latin American theme continued when we went to lunch afterwards at the San Martin Cafe and Bakery on McKinney Street. It is a Guatemalan restaurant and very trendy, as it turns out. The service and food were excellent. Rose discovered it and she and Mom love going there.

They also had art displayed high up on several walls and the textile art was another link in the chain to the art we'd seen at the DMA. Some it put us in mind of a collection of huipils for putting on statues of the Virgin Mary.

Huipil for a figure of the Virgin of the Rosary, Maya -- Kaqchikel, c. 1905–1925
Dallas Museum of Art

I'll be featuring other paintings soon. No themes, just the stuff that I like a lot.