"No wild animal, or domestic either, has as many vocal tones as the Longhorn. In comparison, the bulls and cows of highly bred varieties of cattle are voiceless. The cow of the Longhorns has one moo for her newborn calf, another for when it is older, one to tell it come to her side and another to tell it to stay hidden in the tall grass. Moved by amatory feelings, she has a low, audible breath of yearning. In anger, she can run a gamut. If her calf has died or otherwise been taken from her, she seems to be turning her insides out into long, sharp, agonizing bawls. I have heard steers make similar sounds. They seemed to be in the utmost agony of something so poignant to them that the utterance meant more than life and would be willingly paid for by death."
J. Frank Dobie, "The Longhorns," 1941
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