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Gerrit Dou, The Quack, 1652 |
I love these crowd scenes because their reactions usually tell us a lot about both the main subject, in this case The Quack, and about the people themselves. I came across
a good commentary on this painting which takes that further.
In this witty visual narrative about deception, the individuals in the crowd provide a visual commentary about the quack’s work. Like the hunter, he preys upon the vulnerable, just as the pickpocket preys upon the gaping woman, and the child baits the small bird. Like the pancake seller, the quack trades in truths that are "half-baked" (in Dutch, " raw or uncooked"); her act of cleaning the child seems a scatological comment on the quality of the quack’s productions. ...
There's a lot more to find out so do check the link.
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