I got a shoulder holster out of the desk and strapped it on and slipped a Colt .38 automatic into it, put on hat and coat, shut the windows again, put the whiskey away, clicked the lights off and had the office door unlatched when the phone rang.
The ringing bell had a sinister sound, for no reason of itself, but because of the ears to which it rang. I stood there braced and tense, lips tightly drawn back in a half grin. Beyond the closed window the neon lights glowed. The dead air didn’t move. Outside the corridor was still. The bell rang in darkness, steady and strong.
I went back and leaned on the desk and answered. There was a click and a droning on the wire and beyond that nothing. I depressed the connection and stood there in the dark, leaning over, holding the phone with one hand and holding the flat riser on the pedestal down with the other. I didn’t know what I was waiting for.
The phone rang again. I made a sound in my throat and put it to my ear again, not saying anything at all.
So we were there silent, both of us, miles apart maybe, each one holding a telephone and breathing and listening and hearing nothing, not even the breathing.
Then after what seemed a very long time there was the quiet remote whisper of a voice saying dimly, without any tone:
“Too bad for you, Marlowe.”
Then the click again and the droning on the wire and I hung up and went back across the office and out.
Raymond Chandler, The High Window