All I'm looking for is an excuse for certain experiments in dramatic dialogue. To justify them I have to have plot and situation; but fundamentally I care almost nothing about either. All I really care about is what Errol Flynn calls "the music," the lines he has to speak.And this is actually why I love reading Chandler. The plots are often convoluted and don't really make sense, but it is the poetry and dialogue and clever wit of his writing that I love.
Raymond Chandler, letter 1948