Nikolay Gay. "Quod Est Veritas?" Christ and Pilate. 1890.
The Passion of Our LordThinking that in this way he might placate the hatred of the Jews, Pilate, took Jesus and scourged him (John 19:1). This is the scene we contemplate in the second sorrowful mystery of the Rosary, Bound to the pillar. Covered with wounds.
BEFORE PILATE: JESUS CHRIST, THE KING
The blows of the lash sound on his torn flesh, upon his undefiled flesh, which suffers for your sinful flesh. More blows. More fury. Still more ... It is the last extreme of human cruelty.
Finally, exhausted, they untie Jesus. And the body of Christ yields to pain and falls, limp, broken and half-dead.
You and I cannot speak. Words are not needed. Look at him, look at him ... slowly.
After this ... can you ever fear penance? (J. Escriva, Holy Rosary, Second Sorrowful Mystery)
When this has happened, the soldiers plaited a crown of thorns, and put it on his head, and arrayed him in a purple robe; they came up to him, saying, "Hail King of the Jews!" and struck him with their hands (John 19:4-5). Today as we contemplate Jesus proclaiming his kingship before Pilate, we should also meditate upon that scene contained in the third sorrowful mystery of the Rosary.
The crown of thorns, driven in by blows, makes him a mock king ... And with their blows they wound his head. And they strike him ... and spit on him ...
You and I ... haven't we crowned him anew with thorns and struck him and spat on him?
Never again, Jesus, never again ... (J. Escriva, Holy Rosary, Third Sorrowful Mystery)
Caravaggio. The Flagellation of Christ. 1607.